James Blake (singer) Hub




MUSIC NEWS: Bombay Bicycle Club, Madonna, James Blake, Emeli Sandé, Midnight Music, The Saturdays, Tayisha Busay

Bombay-bicycle-club

BY NORMAN BRANNON

Guestblogger Norman Brannon is a pop critic, musician, and author based in New York City. He presents a weekly music update here on Towleroad and writes regularly at Nervous Acid.  

Follow Norman on Twitter at @nervousacid.

EXTENDED PLAY:

Bombay Bicycle Club A Different Kind Of Fix (Universal)  A-different-kind-of-fix

After the release of 2009's I Had The Blues But I Shook Them Loose, Bombay Bicycle Club were routinely dismissed for being a competent, if not somewhat gifted band in the London indie-punk canon — as part of a new wave that was already in its waning state and quite possibly years short of another revival. Their story should have ended in 2010, when the band beat out the XX, Mumford & Sons, and La Roux for NME's Best New Artist award, except that it didn't: Bombay Bicycle Club's surprise all-acoustic follow-up album, Flaws, forced a reevaluation of their music — and more specifically, of lead singer-songwriter Jack Steadman — that all but erased their scrappy debut from collective memory, and swapped accolades from the music weeklies with nominations for Ivor Novello Songwriting Awards. For A Different Kind Of Fix, BBC return to the full-band format and bravely justify three disparate albums with a cohesive collection of songs that is at once endearingly innocent and patently mature. "How Can You Swallow So Much Sleep?" opens the album with the kind of dreamy, hypnotic rhythm generally reserved for electronic dance music — the emotion in its ebbs and flows — while lead single "Shuffle" transforms a neo-vaudevillian piano riff into a summery disco-not-disco track befitting the Speaking In Tongues–era Talking Heads. The album's ongoing dialectic between the ethereal and the rhythmic could be partially chalked up to the hand of Animal Collective producer Ben Allen, but the reality is potentially deeper: If Steadman is positioning BBC as a post-genre songwriting vehicle, it may be because he no longer cares to write music that relies on genre as a crutch — if he ever did.

Also out today: Grace Jones — Hurricane: U.S. Edition (PIAS), The Rapture — In the Grace of Your Love (DFA), Samiam — Trips (Hopeless), Mista Majah P — Tolerance (IDC)

THE DISPATCH:

Madonna Road Madonna's latest directorial attempt, the forthcoming W.E., had moviegoers at the Venice Film Festival "rolling in the aisles" — and it's not even a comedy! — but details of her twelfth album will provide a more sobering, if not celebratory effect: A lead single is due in February or March 2012, with a new full-length to follow next spring. Ray Of Light producer William Orbit is back in the studio captain's chair, as are Martin Solveig and relative newcomer Jean-Baptiste Kouame — who co-wrote much of Kelis' excellent Flesh Tone.

Road Fresh from his collaboration with Bon Iver, James Blake announces a new EP: The six-track Enough Thunder will be released on October 10, and will feature "Fall Creek Boys Choir" as well as his Internet-favorite cover of Joni Mitchell's "Case Of You."

Road Superstar producer Dr. Luke — of Katy Perry, Ke$ha, and Britney Spears fame — has perfected his strategy against the cadre of litigious songwriters claiming he stole their work: Sue them for defamation until they submit

Emeli-sande Road Exciting new singer-songwriter Emeli Sandé gets a write-up in the Guardian this week for a piece about "female artists turning commercial pop somber with songs of pain and despair." More exciting: It was revealed that Sandé is a featured writer on the forthcoming third album by Leona Lewis.

Road Formed by ex-members of Hercules & Love Affair, the New York-based Midnight Music have essentially taken the "nu" out of nu-disco, faithfully adhering instead to the live disco blueprint of bands like the Salsoul Orchestra and Heatwave. Scion/AV recently released the band's debut digital EP, What The Eyes Can't See, which you can currently stream from Soundcloud or download for free. The band leaves on tour with Cut Copy and Washed Out this month.

Royksopp Road This week's essential streaming: Toro Y Moi introduced "All Alone," a teaser from his upcoming Freaking Out EP — and compared to his chillier chillwave fare, this new song is, in fact, somewhat of a freakout. Justice have premiered the surprisingly distortion-free title track from Audio, Video, Disco, which is due out on September 19. Röyksopp posted two free new songs to their website this week: a remix of the Irrepressibles' "In This Shirt" and, more stunningly, a 14-minute atmospheric house cut called "Shores of Easy." And finally, Tokyo Police Club have made their ambitious "10 Days, 10 Covers, 10 Years" live project available for streaming on Soundcloud. Check out their take on tracks by Kelly Clarkson, Moby, Miley Cyrus, Jimmy Eat World, Phoenix, and more.

NewOrder Road New Order are back — without Peter Hook.

Road England's Trophy Wife are set to release a new EP called Bruxism on October 17, and have most notably chosen a different producer for each of its five tracks: Abstract techno pioneers Plaid, Tracey Thorn producer Ewan Pearson, post-rock band Foals, and electro-folk troubadour James Yuill are among the collaborators. Opener "Canopy Shade" is streaming on Soundcloud now.

SOUND & VISION:

When Saints Go Machine — "Kelly"

Konkylie, the recent album by Copenhagen's When Saints Go Machine, has the kind of depth rarely seen from a debut — a feat largely accomplished by the band's versatile musicianship and singer Nikolaj Manuel Vonsild's delicate, yet deliberate falsetto. Third single "Kelly" is a testament to that balancing act — brooding, but not maudlin; dark, yet allowing light in through the cracks.

Matt Cardle — "Run For Your Life"

Last year's winner of the UK X Factor, Matt Cardle is the latest artist in Simon Cowell's world domination plan. But there's a hitch: Cardle's extreme likability — which endeared him, unsurprisingly, to many an English gay man — is rooted in his aw-shucks, unsuspecting, everyman tendencies. Unfortunately, the video for his debut album's lead single plays up some sort of bizarre Harlequin romance angle that feels contrived, and by the look on Cardle's face, uncomfortably forced. Not even Take That's Gary Barlow, who wrote the song, can save it.

The Saturdays — "All Fired Up"

With Girls Aloud on a vaguely indefinite hiatus and none of the original members of Sugababes actually in the group anymore, The Saturdays must see "All Fired Up" as an opportunity of sorts — and in the world of Euro dance-pop, you could do far worse than picking up one of the more memorable recent tracks from uber-reliable UK production/songwriting house Xenomania. The people seem to agree: This weekend, "All Fired Up" hit #1 on the UK iTunes chart as soon as it was released.

Tayisha Busay — "Focus"

Brooklyn-based queer electro trio Tayisha Busay are prepping the release of their debut album, Focus/Virus, and lead single "Focus" is already shaping up to be the band's most realized work so far — a grim, New York version of Kraftwerk's "The Robots" with a generous dose of pop sensibility and human intervention. The clip's a little edgy, but its meditation on the reversals of power is hardly esoteric.



MUSIC NEWS: David Guetta, Smashing Pumpkins, James Blake & Bon Iver, Robyn, Penguin Prison, Foo Fighters, Big Freedia, Leona Lewis

Guetta

BY NORMAN BRANNON

Guestblogger Norman Brannon is a pop critic, musician, and author based in New York City. He presents a weekly music update here on Towleroad and writes regularly at Nervous Acid.  

Follow Norman on Twitter at @nervousacid.

EXTENDED PLAY:

David Guetta Nothing But The Beat (Capitol) Nothing But The Beat

David Guetta's third album, Pop Life, was hardly a fully realized work, but his intention was clear. In 2007, when it was released, European club music had been desegregated from overseas Top 40 pop for years — but more often than not, this crossover was a matter of fact and not a concerted effort. Guetta was one of the first to put that extra effort in — beginning by hiring legendary pop songwriter Cathy Dennis to work on the record with him — and despite its failures, Pop Life was Guetta's first semi-hit album. It also arguably paved the way for Lady Gaga's The Fame only one year later, which cracked open the American market for this style, and in turn, paved the way for Guetta's truly massive One Love in 2009. (If you really want to complete the circle, listen to "Born This Way" again and see if you don't hear the similarities to "When Love Takes Over.") This week, Guetta returns with Nothing But The Beat — the first new album since his mainstream breakthrough — and it's nothing if not contemporary. This is, however, a blessing and a curse: In a landscape where "Guetta-beat" is being produced by dozens of like-minded studio hacks, the struggle for Guetta to retain his voice is often foiled by his propensity for nabbing scene-stealing guest stars. The album's first two singles — "Where Them Girls At," featuring Nicki Minaj and Flo-Rida, and "Little Bad Girl," featuring Taio Cruz and Ludacris — are archetypes of the old Guetta-beat, and with his trance-based structural dynamics having been appropriated by everyone from Dr. Luke to Stargate, neither song really stands out from any number of singles on the radio right now. The same can't be said, however, for standouts like the Usher–led "Without You" — a sort of arpeggiated progressive-house cousin to Stardust's "Music Sounds Better With You" — and the fact that this will be the third track sent to radio is a signal that Guetta is already thinking ahead. Because when the current commercial dance boom subsides, as all pop micro-trends do, it will always be the actual song under the synths that matters most.

Also out this week: Beirut — The Rip Tide (Pompeii), Red Hot Chili Peppers — I'm With You (Warner Bros.), Jill Scott — The Original Jill Scott From The Vault Vol. 1 (Hidden Beach), Cobra Starship — Night Shades (Decaydence/Fueled By Ramen), Male Bonding — Endless Now (Sub Pop)

THE DISPATCH:

Billy corgan Road Smashing Pumpkins leader Billy Corgan took some flack from fans for granting an exclusive regular column to Crestfallen — a fan site run by a Mormon adherent who openly supported California's Proposition 8. But things got more heated after Devi Ever, a guitar-pedal engineer and transgender woman who spent money developing a custom bass pedal at Corgan's request and was then ignored, aired her grievances towards the singer on the Internet: Corgan responded with a series of verbal threats (claiming he would "knock [her] f*cking lights out") and transphobic slights (calling her a "he/she" and "a sad creation"). Corgan has since deleted the offending tweets, but unfortunately for his bigoted temper, the Internet is forever.

James-Blake-Bon-Iver Road Last week's self-started rumor of a Bon Iver and James Blake collaboration came to fruition as promised: "Fall Creek Boys Choir" is one of the most elegant songs to come from either camp, and it's available on iTunes this week.

Road We're still waiting on a new album from Phoenix, but if the band is delayed, it's understandable: Frontman Thomas Mars married filmmaker Sofia Coppola in Italy over the weekend.

Road This week's essential streams and downloads: Starsmith released his version of the latest Marina and the Diamonds single, "Radioactive," and then somewhat mysteriously took it down from his Soundcloud page a few days later. Luckily, Hype Machine still has the stream. The debut album by Wild Flag — featuring members of Sleater-Kinney, Helium, and The Minders — is up at NPR now. And let's not forget Penguin Prison: A self-titled debut is due next week and the latest retromodern track to leak is called "Don't F*ck With My Money."

Robyn Road Robyn's Body Talk trilogy was an ambitious undertaking in dozens of ways, but one of the less examined aspects of the project has been its bold and innovative visual identity — from the album artwork and videos to her concert styling and online interactive campaigns. The Creator's Project took all this into account and put Robyn in a room with the album's creative director, Mary Fagot, for an enlightening video interview on the subject.

Road David Bowie's "Space Oddity" is now a gorgeously illustrated children's book.

Foo fighters Road Foo Fighters are going on tour this fall, and to let you know about it, they did what any other self-respecting rock band would do: They filmed a teaser video, completely in the nude, showering together. Needless to say, it's NSFW — especially the close-up shots of each member's rear end. No lie.

Road The forthcoming second album by Baltimore-based hip hop crew Spank Rock will be called Everything is Boring and Everyone is a F*cking Liar, and our first taste is a track called "Nasty" — featuring an outrageous coda from New Orleans sissy bounce ambassador Big Freedia, who has spent this year quickly shattering the limits of acclaim and mainstream acceptance for queer rappers. The album, due September 27, also features work from Santigold and hip hop megastar Pharrell Williams.

SOUND & VISION:

Leona Lewis & Avicii — "Collide"

The nasty lawsuits are behind them, so the first video from Leona Lewis' upcoming third album has earned its official release. I'm personally a bit torn about the track, and the video — which positions Lewis as more of a summer babe than a smart chanteuse — doesn't seem to reconcile anything for me. I will say this: The original Penguin Café Orchestra composition that Avicii used as the basis for this much-contested track totally outshines its revision.

Bombay Bicycle Club — "Shuffle"

A Different Kind of Fix is Bombay Bicycle Club's highly guarded third album — which means I can't give it a fair assessment until its release next week — but if it's anything like its lead single, the London–based band may have a proper hit on their hands: "Shuffle" is the missing link between their scrappy post-punk debut and their leftfield follow-up of whispery folk confessionals, held together by a newfound sense of rhythm and joy.

Florence & The Machine — "What the Water Gave Me"

Florence Welch promised that her band's new songs were "drawn to dark metaphors," and "What The Water Gave Me" — the first single from Florence & The Machine's as-yet-untitled second album — delivers in spades: "When I was writing this song I was thinking a lot about all those people who have lost their lives in vain attempts to save their loved ones from drowning," she says, suggesting that her warning was an understatement.

Emeli Sandé — "Heaven"

The debut single from Scottish singer Emeli Sandé went to #2 on the UK charts this week, and with good reason. "Heaven" is one of those pleasurable, but slightly edgy pop singles that breed both familiarity and discovery: Recent tracks by Katy B and classic album cuts from Massive Attack certainly inform the music — a sort of trip-hop/drum-n-bass hybrid — but Sandé's capable voice is clearly what makes this song memorable in long run. It's a great way to start a career.



MUSIC NEWS: Lady Gaga, Rufus Wainwright, CocknBullKid, Friendly Fires, Stephin Merritt, New Order, Depeche Mode, Calvin Harris

Lady-Gaga9

NORMAN BRANNON

Guestblogger Norman Brannon is a pop critic, musician, and author based in New York City. He presents a weekly music update here on Towleroad and writes regularly at Nervous Acid.  

Follow Norman on Twitter at @nervousacid.

EXTENDED PLAY:

Lady-gaga-Born-this-way-album-Cover-Motorcycle Lady Gaga Born This Way (Streamline/Interscope)

It may be officially impossible to write about Lady Gaga with any real modicum of objectivity, and on some level, that might be her real success: If Gaga aims to polarize — us vs. them, outsiders vs. establishment, monsters vs. non-monsters — then she's certainly done that. But to some extent, the visual and ideological spectacle that she insists upon also tends to obscure the fact that Lady Gaga is ostensibly a recording artist and not simply a performance piece; at one point, not too long ago, she was an ordinary young woman who played nondescript piano bar songs at nondescript piano bar venues and took the subway home like everyone else. The question, then, becomes how to isolate an album like Born This Way from the meat dress, the egg pod, or the paper-eating sideshow on David Letterman, and the answer is not quite clear. Because for all its successes (the synthesized resurrection of Laura Branigan on "Marry The Night") and failures (the cultural tourism and Latin-fetishization of "Americano"), Born This Way exposes a flaw in Gaga's multimedia barrage — if only because, without the over-the-top visual stimulation, there is a lot to be underwhelmed by: Like the relentless four-to-the-floor, which seems to have only one configuration. Or the lack of subtlety, which makes sure you immediately get the point, but discourages digging deeper. Or the frequent references to religious iconography, which fail to add anything new to an already over-mined conceit. Of course, if it sounds like I'm being overly harsh on the only artist in the world to ever achieve a number-one single with the words "gay" or "lesbian" or "transgendered" in the lyrics, you might have a point. There is a certain amount of carefree revel on Born This Way that is compelling for its potential to surprise — I'm still trying to figure out exactly what she means when she says "Scheiße, be mine," and don't worry, I know what "scheiße" means — but that means there's also something to be said about its more predictable moments. I mean, earlier this year, Gaga announced that this was "the greatest album of the decade." She can't possibly be upset if we hold it up to her own standard.

THE DISPATCH:

Rufus-Wainwright Road Rufus Wainwright has begun work on his seventh studio album with producer Mark Ronson — whose résumé includes work with Amy Winehouse and Adele, among others. "The main objective — not for the entire [album] necessarily, but for portions of it — is to be danceable," Wainwright says. "I just want to make something that you love, driving around in your car listening or losing your mind to on a dancefloor."

Road Relatedly: It has recently been confirmed that Adele is working on a collaboration with de rigeur British rapper Tinie Tempah. As for Amy Winehouse, her father Mitch — who is currently on a press tour promoting his own album — gives new word on his terribly missed daughter: "She's doing better now," he says. "She has been clean for two and a half years … I'm not saying that her problems have gone away, because they haven't. She's dealing with it."

Road Listicle: Eight openly queer rappers you should know.

Stephen_Merritt Road Magnetic Fields songwriter Stephin Merritt recently announced the release of Obscurities — a collection of rare and hard-to-find material spanning most of the 1990s. The fourteen-song album will come out of August 23, but you can download a teaser MP3 for the elegant "Forever and a Day" now.

Road Florence Welch has revealed thematic details for her forthcoming second album — the follow-up to Florence + The Machine's breakthrough debut Lungs: "It still feels like I'm very much drawn to dark metaphors in the new songs. It always feels like as if with each song you write, you're trying to understand something about yourself: Why am I this way? What's wrong with me?"

Road The original success-by-blog band Clap Your Hands Say Yeah return from their four-year absence with a new album called Hysterical — produced by John Congleton (Modest Mouse, Explosions in the Sky) and due in September.

Road June 6 is the street date for Total: From Joy Division to New Order — the first compilation album to combine classic singles from the related bands. Also featured: a previously unreleased song from New Order called "Hellbent." The new single is available for streaming below.

New Order — "Hellbent" (Previously Unreleased)

COMING OUT:

Cocknbullkid How to put this bluntly: If I were writing a column entitled Twelve Songs You Need To Hear This Week, I'd most likely hand you a copy of Adulthood — the debut album by CocknBullKid — and call it a day. In a week where Lady Gaga will be christened the still-reigning queen of pop, Anita Blay might get only a fraction of the accolades for an album that, hyperbole aside, actually delivers on incredibly sophisticated and well-executed modern pop. There are spiritual predecessors, of course — notes of Kylie Minogue admittedly register high here — but Blay's style is so inimitably English (and so unmistakably working class) that it's impossible to fail in teasing out her own idiosyncratic vision. That current single "Asthma Attack" namechecks LCD Soundsystem while recalling Change–era Sugababes is no accident: much like the entire album, Blay's occasionally harsh urban aesthetic is unfailingly tempered by kindness.

Friendly-fires-pala1 If 2011 is the year that commercial Euro-house went American mainstream, then Friendly Fires might be banking on the return of balaeric house: With their second album, Pala, the UK-band completely dismiss the over-filtered dark synths and go in favor of a lighter, summery sound that will inspire far more joy on the dancefloor than angst; it might be downright impossible to do anything but hug the person next to you when "Hawaiian Air" comes on. Their reverence to the rave is also present here — "Live Those Days Tonight" is the most authentic Manc–house track since people actually bought Happy Mondays records — but on Pala, it's more about smiley-faces than synthetic ecstasy.

Bazan-Strange-Negotiations-600-480x480 Very few artists can survive the ghost of being considered a "Christian artist," and yet David Bazan — whose '90s output as Pedro the Lion earned that very title — has persisted. Part of his reinvention, of course, lies in the release of 2009's Curse Your Branches, which effectively served as Bazan's break-up album with God; the introspection and criticism of his former life lay as bare as just about anything you'll ever hear on the subject. His second solo album, Strange Negotiations, gets its release today, and much like Branches, it's a musically and emotionally stripped-down affair — wistful over past mistakes, but softheartedly determined to make good on redemption.

Also out today: Various Artists — Kitsune Maison Vol. 11: The Indie Dance Issue (Kitsune), Art Brut — Brilliant! Tragic! (Cooking Vinyl), Bird of Youth — Defender (Jagjaguwar), Pete & The Pirates — One Thousand Pictures (Zoom), Thurston Moore — Demolished Thoughts (Matador), New Kids on the Block & Backstreet Boys — NKOTBSB (Sony Legacy)

SOUND & VISION:

Depeche Mode — "Personal Jesus" (Stargate Remix)

They're better known for their work with Rihanna and Katy Perry, but Norwegian production duo Stargate clearly owe much of their sound to bands like Depeche Mode. Here, with the lead single from Remixes 2: 81-11, Stargate finally inspire the medieval witch-hunting treatment they couldn't really muster up from "Firework."

Princeton — "The Electrician" (feat. Active Child)

The L.A.-based Princeton cite only two influences on the Facebook page: Steve Reich and Larry Levan. You kind of can't argue with that! For "The Electrician," the band puts its atmospheric synthpop in the hands of Active Child's Pat Grossi — whose wide-room vocal adds celestial depth. The video's graphic police brutality is not for the faint of heart, and yet the song's cinematic quality would feel a little less exposed without it.

Calvin Harris — "Bounce" (feat. Kelis)

Kelis continues to feed her club fixation, this time teaming up with UK electro-house producer Calvin Harris. The video is mostly safe, but still NSFW — which is probably the state of a lot of our weekend social lives. Aside from the part about passing out in the club, I hope.

James Blake — "Lindisfarne"

A standout track from Blake's acclaimed self-titled debut, "Lindisfarne" eschews dubstep for despondent robotic soul and features a somewhat uncomfortable clip that is one-part Party of Five, one-part cult recruitment video. Also, fans of gobbing may get a little extra something out of it.



MUSIC NEWS: James Blake, Cut Copy, LCD Soundsystem, Hercules & Love Affair, Ellie Goulding, Chapel Club, Teddy Thompson

James_Blake

NORMAN BRANNON

Guestblogger Norman Brannon is a pop critic, musician, and author based in New York City. He presents a weekly music update here on Towleroad and writes regularly at Nervous Acid.  

Follow Norman on Twitter at @nervousacid.

ESSENTIAL NEW MUSIC:

James Blake James Blake (Atlas/A&M/Universal)

James-blake-album The debut album by 23-year-old James Blake comes with some baggage attached to it: Having already broken the UK Top 40 with a ghostly rendition of Feist's "Limit To Your Love" in November, Blake unwittingly became the great commercial hope for dubstep — a somewhat challenging strand of experimental electronic music better known for its sub-bass than its hit singles. To be fair, this is not that kind of record. But it's not exactly a purist's dubstep record either: While Blake dabbles in the genre's dark minimalism, he rarely ends up being swallowed by it, and much of this can be attributed to the surprisingly soulful depth of his singing voice — which appears unaccompanied throughout, as on the heavily vocoded "Lindisfarne I" or the seemingly Antony–inspired "I Never Learnt To Share." So while it's tempting to cite James Blake as a record that takes the commercialization of dubstep further than ever, the reality is that Blake has essentially sidestepped the genre altogether. For one, it could be argued that the album's lead single, "The Wilhelm Scream," is technically a D'Angelo song in a Burial disguise — and there probably isn't a wall for that at your local record shop.

Cut Copy Cut Copy Zonoscope (Modular)

Any club DJ worth his salt will tell you: It's not about beating your audience over the head with peaks and valleys, but seducing them with the tension of a hypnotic rhythm. This is, apparently, one of the lessons that Melbourne's Cut Copy has learned since releasing 2008's In Ghost Colours — an exercise in uptempo, jagged dance-rock, if ever there was one. So where Ghost Colours bobbed and weaved, Zonoscope simply stays the course with great success: Album opener "Need You Now" is somewhat of a modern cousin to Lil Louis's "French Kiss" with its pulsing, uninterrupted flow, while "Take Me Over" reimagines Men At Work's "Down Under" as an outtake from Slave to the Rhythm. But it's the epic "Sun God" that ultimately reveals the full extent of Cut Copy's transformation into a full-on dance outfit — because, as any clubber worth his salt might tell you, the only way to get lost inside of a 15-minute track is to commit to the kick drum.

THE DISPATCH:

LCD Soundsystem Road This week's biggest announcement was, of course, news that the White Stripes have broken up. To add to this note of band mortality, LCD Soundsystem have announced details for their final show, to take place at Madison Square Garden on April 2 with support by legendary New York post-disco pioneers Liquid Liquid — who are, to some extent, kind of responsible for hip-hop too.

Road Did Microsoft really just rip off Arcade Fire for a television commercial? The evidence is pretty compelling. Relatedly, the sampling rogues over at The Hood Internet pointed out another compelling similarity this week: You're not the only one who thought Arcade Fire's "Sprawl II" sounded a lot like Blondie's "Heart of Glass." The mash-up — of course! — is available for free download HERE.

Road It’s only February and it’s already time for another benchmark in the ailing lows of the music industry: Last week, Amos Lee scored the lowest-selling #1 album in the history of Billboard. Mission Bell sold only 40,000 copies to earn the title.

Road The eighth full-length album by Bright Eyes is called The People's Key, and it's out next week. No need to wait, though: NPR is streaming the album in its entirety now.

Andybutler Road Fact Magazine roped Hercules & Love Affair mainman Andy Butler into compiling a mix of classic house inspirations for their forthcoming sophomore album, Blue Songs, which is available for a limited time as a free download HERE. The official tracklist ends with Hercules & Love Affair's new single, "My House," but stick it out for the real finale: Butler slips in his unofficial acid house mix of Madonna's "Into The Groove."

Road Ellie Goulding's phenomenal UK #1 album Lights is set for release in America on March 8, and this week, the singer announced her first U.S. tour, which begins in Austin for South by Southwest and culminates with a must-see performance at this year's Coachella festival.

Road Featuring one-half of the much-loved Promise Ring, Milwaukee's Maritime have announced a new label (Dangerbird), a new album (the forthcoming Human Hearts, due out April 5), and a comeback single called "Paraphernalia" — which shows the band going uptempo for a Cure-like dose of indie pop. An e-mail address gets you a free download HERE.

Road Electro-pop wunderkind James Yuill has gone under the radar for long enough, so if you pay attention to any one new artist this week, this is the one: Yuill's third full-length album, Movement in a Storm, has finally been given a U.S. release date of February 22. In the meantime, check out "Crying For Hollywood" or grab a free download for "Give You Away" HERE.

COMING OUT:

Teddy Thompson Being the son of famous folk-rock singers — in this case, Richard and Linda Thompson — is hard! Which is probably why they tend to stick together: Teddy Thompson has provided additional vocals on all but two of Rufus Wainwright's albums. For his fifth studio album, Bella, Thompson works with a blended approach of alt-country and classic pop that recalls the golden era of Crowded House at its best.

The debut album by Chapel Club had all the momentum to become a huge hit last year on the back of lead single "Surfacing," but contested issues of copyright tossed the record Chapelclubpalace into a legal limbo. (Note to new bands: You'll probably want to clear the use of lyrics from "Dream a Little Dream of Me" before you send the song to radio!) Palace finally comes out this week, and it's certainly not any worse for the wear: Tracks like "Blind" and "White Knight Position" invoke all the songwriting savvy of Echo & The Bunnymen without the '80s pomp and circumstance.


Also out today: …And You Will Know Us By The Trail of Dead — Tao of the Dead (Superball Music), Marianne Faithful — Horses and High Heels (Naive), Esben and the Witch — Violet Cries (Matador), Starsailor — On the Outside: Expanded Version (Artists Addiction)

SOUND & VISION:

Ellie Goulding — "This Love (Will Be Your Downfall)"

This song has been my own personal obsession for the last few weeks, but it's never been an official single. Fortunately, some fans picked up the slack and reappropriated someone else's music video about a kidnapping to create this narrative about a failed relationship.

The Good Natured — "Your Body is a Machine"

Considering how young they are — singer-songwriter Sarah McIntosh just turned 20! — "Your Body is a Machine" is the almost impossibly mature lead single from The Good Natured's forthcoming Be My Animal EP.

The New Pornographers — "Moves"

This is what happens when you hand over a music video to a group of comedians: You get Superchunk's Jon Wurster rocking a red wig, while practically the entire supporting cast of The Daily Show go on to make fun of your band for as long as time will allow. Also seen: Ted Leo, John Hodgman, and Community's Donald Glover. It's kind of genius.

PJ Harvey — "The Words That Maketh Murder"

In an interview with the Guardian last week, Patti Smith called the first single from PJ Harvey's forthcoming eighth album "a great song," adding, "It just makes me happy to exist. Whenever anyone does something of worth, including myself, it just makes me happy to be alive." That just about sums it up.



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