Bloc Party frontman Kele Okereke has partnered with vocalist Bobbie Gordon in the release of 'Down Boy,' a brand new track that combines everything great about the 90s, dance, and garage genres.
Interestingly, the song is being billed as the world's first track sold on 3D printed vinyl.
Commenting on the track, Kele says:
"Both Bobbie and I love the music from the mid-90s, so we wanted to make something that had a break-beat vibe. Bobbie's voice is totally unique-sounding; it's playful and soulful at the same time. She has a very unique quality to her voice but is a versatile singer as well."
Listen to the song (and check out a video of the 3D printed record's creation), AFTER THE JUMP...
It's not every day that you look at the new release schedule for a given week and find out that at least four new albums being issued this week arrive courtesy of artistically venerable — and commercially successful! — artists who are, almost incidentally, openly gay. But what's really interesting is the diversity we find in those four artists: a 50-year-old iconic elder statesman from Georgia, a young man from London born to Nigerian parents, a pair of Canadian identical twins, and a thirty-something-year-old vegan from Reykjavík, Iceland, who sings predominantly in a language he made up. That they're all gay, one might argue, is the least interesting thing about them. That they're all approaching their art with honesty and a certain level of transparency, however, is more significant. It's not that we're "post-gay" — as some might prematurely suggest — but that, perhaps, there is a growing appreciation for the valuable perspective that is unique to the openly gay artist. Being out only adds to this cultural resonance, and it seemed important to point that out.
ON THE INSIDE: A career-spanning retrospective that leaves few stones unturned, the final R.E.M. collection features 40 tracks — including three new songs — and, if you're over 30 years old, it might surprise you: This band soundtracked your life more than you ever thought possible. To deny the sheer range of influence that R.E.M. has had on American rock music is impossible.
ON THE INSIDE: The follow up to 2010's The Boxer, Kele's latest EP without Bloc Party is more succinct and a whole lot more confident. "What Did I Do?" — the London dubstep-tinged lead single that introduces us to guest vocalist Lucy Taylor — is a good place to start, while his cover of Q Lazzarus's classic "Goodbye Horses" almost rewrites ownership of the song. Also impossible to ignore: Somebody's been hitting the gym lately.
ON THE INSIDE: A double-live album is, in almost all but the rarest of circumstances, a contract-filler or an ego boost. But in the case of Sigur Rós, it's an opportunity: The entire album (and full-length DVD movie) is performed as a four-piece, which brings an almost ascetic quality to the majesty of the original recordings — an equally as satisfying, but differentiated listening experience that reveals how layered these songs really are.
ON THE INSIDE: After six full-length albums, Tegan and Sara's eponymous band release a full-length concert CD/DVD — including a pair of short documentary films — that span the duo's twelve-year career. It's as earnest as you'd imagine. The live set is something like an episode of VH1 Storytellers, and if you've ever been to a Tegan and Sara show, you know: There quite possibly isn't a better format to see them.
In addition to releasing Aphrodite Les Folies: Live In London on CD and DVD on November 29th — in which she covers the Eurythmics! — the indefatigable Kylie Minogue has also announced a new album on deck for 2012. The singer is currently in the studio to rework a number of her classic songs for a 25th anniversary compilation to celebrate the release of her debut single, "Locomotion."
Ellie Goulding is finally gaining traction on American radio with "Lights," but she's clearly trying to keep the songs fresh: The singer will release a new EP, Live at Amoeba, in honor of Record Store Day on November 25. The four-song set was recorded in April at San Francisco's famed Amoeba Records on Haight Street.
Courtney Love's new version of Hole eggs on Brazilian crowd to chant "Foo Fighters are gay," clearly forgets Kurt Cobain's explicit denouncement of homophobia and high-school-jock-speech. Love later claims, "I'm allowed to use the word 'fag' because I'm a gay icon," clearly forgets that no, she isn't.
Fall Out Boy's Pete Wentz has been playing it low-key with his new band, Black Cards, but this week, the lyricist gets into the studio chair for a big-room remix of Rihanna's latest single "We Found Love." The result? Sounds like he's been listening to Deadmau5 and Wolfgang Gartner lately.
Bright Light Bright Light keeps hustling along until a tentative February 20th worldwide release date for his long-awaited debut album. This week, he offers up some free downloads of '90s-based mash-ups that he constructed for Another Night, his own monthly party in London: Check out TLC vs. Snap's "Rhythm is a Scrub" and Tori Amos vs. Madonna's "Professional Vogue."
UK electropop favorite Little Boots returns this week with the lead single to her forthcoming as-yet-untitled second album, and it's not your typical three-minute pop song: "Shake" is a six-minute floor-filler produced by Simian Mobile Disco's James Ford, geared more for the club than for the radio, but conceivably viable for either. If you're in the neighborhood, Little Boots comes to America for DJ appearances in New York, Los Angeles, and San Francisco this time next week.
SOUND & VISION:
Timo Maas — "College '84" (feat. Brian Molko)
This one, I must admit, was a grower: Timo Maas is a long-time German techno and progressive house producer who came of age in the Global Underground era of clubland, while Brian Molko has spent the last sixteen years as the androgynous, openly bisexual lead singer of Brit-glam stalwarts Placebo. The video for "College '84" is not what it seems at first, but by the end, you'll see why this collaboration is all about techno-sex.
Duran Duran — "Girl Panic!"
Jonas Akerlund is behind Duran Duran's epic nine-minute clip for "Girl Panic!" — in which all of your favorite legendary supermodels of the world assume the roles of the band and the members of the band play everything from journalists to bellboys. Naomi Campbell, Cindy Crawford, Helena Christenson, Yasmin Le Bon, and Eva Herzigova star, while everyone else takes notes.
Miguel Migs — "Everybody" (feat. Evelyn "Champagne" King)
San Francisco deep house legend Miguel Migs released his latest album, Outside the Skyline, earlier this year, and there was really no getting around it: Of all the guest collaborators on the record — including Bebel Gilberto and Meshell Ndegeocello, among others — the return of disco legend Evelyn "Champagne" King was truly something special. This week, "Everybody" gets the buoyant retro-club video it demands.
Patrick Wolf — "The Falcons"
Lupercalia, the long-awaited fifth album from Patrick Wolf, certainly deserves to find itself across any number of Best of 2011 lists, but "The Falcons" is a pretty awesome string around your finger: Directed by Japanese visual artist Noriko Okaku, Wolf's latest video embodies Lupercalia's joyful energy and airborne tenor. It's the visual equivalent of a weight being lifted.
While still officially the Bloc Party frontman, Kele Okereke has been focused on solo efforts, particularly an EP on the way called The Hunter. Here's a stunning cover of Q Lazarus' "Goodbye Horses" for you to enjoy.
Wichita Recodings writes: "The EP is written by Kele with the exception of a cover of ‘Goodbye Horses’, and he worked with XXXChange, Sub Focus, Lucy Taylor, Fred Falke, RAC and QNESS."
Girls Aloud may be one of the biggest U.K. pop groups of all time, but in America, they're somewhat of a curiosity: They were a girl group manufactured by a 2002 reality television competition. They were a hit-making machine whose underlying hit-making production machine, Xenomania, became almost as famous as the girls themselves. And perhaps less endearingly, they were the band that spawned Cheryl Cole, who is now best known on these shores for lasting half an episode as a judge on the U.S. X Factor before being sent back to England. Despite all this, we should care. Because when Girls Aloud were great — and they did, indeed, have their fair share of transcendent moments — they embodied everything we love about pop music.
Nicola Roberts wasn't Girls Aloud's Beyoncé — or their Kelly Rowland, for that matter — which is all the more reason why Cinderella's Eyes has already positioned itself as somewhat of a coup. Unlike Cole's post-GA output — which is only as good as you think Will.I.Am is good — Roberts made an album that doesn't depart from the blueprint as much as it sends it up-to-date: The Diplo–produced "Beat Of My Drum" is a raucous freestyle affair, while "Lucky Day" — co-written by Canadian electro trio Dragonette — takes the spirit of 2008's Girls Aloud/Pet Shop Boys collaboration out of Neil Tennant's sullen range and into an elated place. That said, formulas work for a reason, and when Roberts teams up with former Xenomania member Jon Shave for "Say It Out Loud" — an impossibly pleasurable synthpop track, the caliber of which we haven't heard since "Dancing On My Own" — it's like she's no longer a struggling solo artist from a multiplatinum group, but the star of a group who never got her due.
Bloc Party have only marginally cleared up rumors of Kele Okereke's dismissal, with guitarist Russell Lissack saying that while he hasn't spoken to Kele in a couple of months, and while there are "no bad vibes," the remaining three members are still auditioning new singers. "It's not really a secret because Kele's been pretty busy doing solo stuff," he explains. "The other three of us wanted to meet up and make music." On his blog, Kele still sounds confused: "A big part of me is laughing hard at all of this, but another part of me is all like WTF?"
This week in free downloads: Vampire Weekend's out keyboardist/producer Rostam Batmanglij took to his Tumblr this week to introduce a new Indian raga–influenced solo track called "Wood." DJ A-Trak remixed The Rapture's latest single,"How Deep Is Your Love?" and dedicated the Dub mix to recently departed Ed Banger producer and DJ Mehdi. Meanwhile, New York duo Ford & Lopatin get the French remix treatment on "Too Much Midi (Please Forgive Me)"courtesy of Alan Braxe.
Will Young cops to the Pet Shop Boys and Bronski Beat influence on his excellent new album, Echoes, but still isn't sure he can express his sexuality more openly: "You're still a minority. There are lots of people who don't want to think about" — he pauses and laughs — "anal sex, to be honest. And I don't have a problem with that."
Sigur Rós premiered their latest feature film, Inni, in Reykjavik, Iceland, last week. A 2CD+DVD package for Inni will get its release on November 15, and features music from the movie as well as bonus tracks and a previously unreleased song called "Lúppulagid."
The Scissor Sisters made an appearance at the New Yorker Festival this weekend to dish about Elton John, who recently brought Jake Shears and Babydaddy a box full of sweaters and shoes ("He's like your favorite grandma"), as well a shared moment with Gore Vidal: "At moments he was delighted by me, at moments he was disgusted by me," Shears said.
Commercial house music makes another bold leap into the mainstream: Swedish House Mafia — the trio of Sebastian Ingrosso, Axwell, and Steve Angello — have announced two "One Night Stand" performance dates at Madison Square Garden in New York and the Milton Keynes National Bowl in England.
SOUND & VISION:
Lights — "Toes"
She's gone on tour with Owl City, but don't hold that against her: Lights Valerie Poxleitner — that's Lights to you — released an incredible sophomore album called Siberia today, and "Toes" is a pretty solid example of what this self-written/self-produced album achieves: Tightly-programmed beats and shoegaze tendencies underlie a solid pop proficiency, while Toronto's Holy F*ck — no strangers to a sequencer themselves — lend a hand.
Björk — "Moon"
I have yet to really dig into Björk's new album Biophilia, also out today, but a lot of that has to do with the overwhelming idea of discovering an album with an iPad app for each song. That's not easy listening! Which is probably the point: The harp-plucked "Moon" is more of a linear movement than your standard recursive pop song, and it's Björk's willingness to go there that keeps us willing to follow the path she forges.
Cher Lloyd — "With Ur Love" (feat. Mike Posner)
A runner-up from last year's X Factor in the U.K., Cher Lloyd's first single was the most regrettable song to rhyme "swagger" with "Jagger" in recent memory — and there have been quite a few entries in that race! But follow-up single "With Ur Love" is a much-needed rebound, ostensibly meant to remind us that Lloyd didn't get as far as she did on the X Factor for her rapping: If London street-pop wasn't a thing before, it is now.
Holy Ghost! — "Hold My Breath"
DFA's resident electrodisco duo Holy Ghost! have known each since they were six years old, and that shows in this song's impeccable tightness and intuitive phrasings. The music owes its debts to Sheffield and Manchester, of course, but these references suits the video's evocative collection of still and moving pictures: It would almost be nostalgic if it weren't happening right now.
Frankmusik launched his second album firmly on the defense. "It's got bit of an American twang to it because, f*ck it, I'm in America," he said in an interview this past April. "So when people are gonna say it isn't me, 'Frankmusik sold out,' I'll just say, 'No, Frankmusik got more concise,' and they can suck a d*ck." Well, OK then!
Historically, of course, great records have rarely been initiated with the self-awareness that there may be something disingenuous about them, and in the case of Do It In The AM, that self-conscious decision-making is nearly audible on songs like "No I.D." — the spiritual cousin to Rebecca Black's "Friday" and Murray Head's "One Night In Bangkok," if you can imagine that — and the commercial-radio-by-the-numbers title track which, as Frankmusik attests, sounds painstakingly American. Like he was trying. Fortunately, once you get past these ill-fated attempts at having the next Pitbull-assisted radio hit (sans Pitbull, thankfully), there is an album: Opener "We Collide" flirts with the kind of pleasurable, but edgy electropop that Stuart Price pioneered with recent albums for Take That and The Killers, while "Wrecking Ball" sounds like it could have emerged from Frankmusik's successful album sessions with Ellie Goulding. In fact, by the time you get to Track 10 — the simply brilliant "Struck by Lightning" — it becomes increasingly hard to believe that the lows on Do It In The AM are so damn low. Because the highs are simply transcendent.
The point Frankmusik seems to have missed in his preemptive strike is that this has less to do with "selling out" as it does with knowing what makes you unique and developing that to its greatest potential. When he speaks in his own voice, Do It In The AM is delightful. But the detours are disastrous.
Frankmusik's new album may be touch and go, but I've got high hopes for his work with Erasure: A complete stream of Tomorrow's World and track-by-track commentary by the band is online now.
Experimental pop and disco pioneer — and queer icon — Arthur Russell changed the face of the dancefloor with "Let's Go Swimming." This week, Audika Records reissues the single with a dub mix from disco legend Walter Gibbons and a previously unreleased version of "Make 1, 2 (Gem Spa Dub)" that clocks in at eleven minutes long.
Scissor Sisters mainman Jake Shears isn't penning your average collaborator dream-list: At the top of the heap is Queens of the Stone Age singer Josh Homme. "I really, really want to sing on the next QOTSA album," says Shears. "I think that he's a genius, a genuine rock hero living among us."
New music you'll want to stream: Beni's forthcoming House of Beni promises to do for runway house what Frankie Knuckles did for whistles. "Someone Just Like You" is the latest track to surface and features The Rapture's Mattie Safer on vocals. Also, MGMT have curated the latest edition of the Late Night Tales series, out next week, and the band covers Bauhaus' "All We Ever Wanted Was Everything" for the occasion. Neo-psychadelic goth, then? It actually works.
Björk talks with New Scientist about the technological and scientific inspirations and intersections on her forthcoming album, Biophilia: "If you write a song with acoustic guitar, is there [automatically] soul in it? I've heard tons of guitar songs with no soul at all. If music created with electronics or a computer has no soul, it's because nobody put it there."
R.E.M. announced their break-up after thirty-plus years as a band, but they won't go out quietly: Their final release is called Part Lies, Part Heart, Part Truth, Part Garbage: 1982–2011, and it will be a two-disc, 40-song retrospective of the band's inimitable career — also featuring three new tracks.
SOUND & VISION:
Kele — "What Did I Do?" (featuring Lucy Taylor)
Bloc Party's out frontman is kind of worried that he's been kicked out of his band, but not enough to halt the release of his upcoming The Hunter EP on October 31. "What Did I Do?" is the lead single, and introduces a bunch of firsts: Guest singer Lucy Taylor, a new dubstep-tinged direction, and a newly muscled and shirtless physique he wasn't exactly touting on the Silent Alarm tour.
Washington — "Holy Moses"
I know very little about Washington outside of this video, and sometimes, that's the best way to evaluate something: The costuming might recall Lady Gaga and Tori Amos, but the song itself is one of those effortlessly ebullient tracks that are basically impossible to contrive. Washington's vocal, meanwhile, is strong, seductive, and best of all, perceptibly sincere.
Sneaky Sound System — "Big"
I'm starting to really look forward to the third album from Sydney–based Sneaky Sound System. Due out on October 7, From Here To Anywhere has already spawned a pretty fantastic lead single in "We Love," but single number-two connects the band with a more emotional tenor: "Big" comes from the Robyn school of slightly-melancholy-but-ultimately-uplifting arpeggiated pop. This is much harder to pull off than you'd think.
Death Cab For Cutie — "Stay Young, Go Dancing"
The latest by Death Cab is something like The Notebook of indie rock videos: You're kind of expecting Ryan Gosling to jump out and win someone's heart. But it's actually more sweet — and realistic — than that. "Stay Young, Go Dancing" is an anthem of aging in love.