Tonight at 9 PM ET, Logo will air a special titled "Trailblazers" to commemorate the one-year anniversary of DOMA's defeat. Included in the special is a brief word from R.E.M.'s Michael Stipe, who eloquently links the past struggles of LGBT Americans with the struggles of today's queer people around the globe:
In the early ’80s, as a 22-year-old queer man living during the Reagan/Bush administration, I was afraid of getting tested for HIV for fear of quarantine, the threat of internment camps and having my basic civil rights stripped away...I waited five years to get my first anonymous test. I am happy that attitudes have matured and changed, and I feel lucky that i live in a country where acceptance, tolerance and policy toward HIV/AIDS and LGBTQ issues have advanced as far as they have.
Stipe goes on to introduce Ugandan gay rights activist John “Longjones” Abdallah Wambere, who fights against the powers that be in his country, where homosexuality is illegal and anti-gay violence continues to rise. As Wambere puts it, speaking to the audience at the "Trailblazers" event, in Uganda "[this event] would be illegal. We would be all arrested or closed."
Johnny Depp has produced a pirate-themed album called Son of Rogue's Gallery which comes out next week and a few tracks have already hit the web, including this sea chantey called "Rio Grande" from Courtney Love and Michael Stipe (his first piece of music since R.E.M. dissolved.
R.E.M.'s "Losing My Religion" was used in the Fox News coverage of the Democratic National Convention last night. R.E.M. today, through its music publisher, Warner-Tamerlane Music, demanded that Fox News cease and desist from continuing its unlicensed and unauthorized use of the song. Michael Stipe said, "We have little or no respect for their puff adder brand of reportage. Our music does not belong there."
In the film, Nick is a gay Korean-American man living in Los Angeles’ Korean neighbourhood with his partner. When Nick attends his nephew’s dol, a traditional Korean first birthday party, he finds himself longing for a life out of reach to him. Ahn said: “I made this film to come out to my parents. I knew I wouldn’t be able to tell them, to say the words ‘I’m gay’. “So I cast my family in the film, but never told them that it was about a gay Korean-American man. The filmmaking process both distracted from and prepared me for the inevitable – that I would eventually have to show my parents the finished film.”
The last troop movement out of Iraq, which included about 110 vehicles and 500 soldiers, began in darkness. Around 2:30 a.m., the convoy snaked out of Contingency Operating Base Adder, near the southern city of Nasiriya, and headed toward the border.
As dawn approached on Sunday, the last trucks began to cross the border into Kuwait at an outpost lighted by floodlights and secured by barbed wire.
“I just can’t wait to call my wife and kids and let them know I am safe,” said Sgt. First Class Rodolfo Ruiz just before his armored vehicle crossed over the border. “I am really feeling it now.”
Veterans’ joblessness is concentrated among the young and those still serving in the National Guard or Reserve. The unemployment rate for veterans aged 20 to 24 has averaged 30 percent this year, more than double that of others the same age, though the rate for older veterans closely matches that of civilians. Reservists like Corporal Rhoden have a bleak outlook as well.
Farewell to a playwright, statesman, and velvet revolutionary:
[Vaclav Havel] came to personify the soul of the Czech nation. His moral authority and his moving use of the Czech language cast him as the dominant figure during Prague street demonstrations in 1989 and as the chief behind-the-scenes negotiator who brought about the end of more than 40 years of Communist rule and the peaceful transfer of power known as the Velvet Revolution, a revolt so smooth that it took just weeks to complete, without a single shot fired.
He was chosen as democratic Czechoslovakia’s first president — a role he insisted was more duty than aspiration — and after the country split in January 1993, he became president of the Czech Republic. He linked the country firmly to the west, clearing the way for the Czech Republic to join the North Atlantic Treaty Organization in 1999 and the European Union five years later.
Both as a dissident and as a national leader, Mr. Havel impressed the West as one of the most important political thinkers in Central Europe. He rejected the notion, posited by reform-minded Communist leaders like Mikhail S. Gorbachev in the Soviet Union and Alexander Dubcek in Czechoslovakia, that Communist rule could be made more humane.
As Newt Gingrich falls back to earth -- under assault from his primary rivals, Iowa pastors and the conservative establishment -- three other Republican presidential candidates are hoping to benefit here in the Hawkeye State.
The last two weeks in Iowa before the Jan. 3 caucuses are increasingly a battle between these three, who still remain legitimate in the eyes of the grassroots, committed Iowa conservatives: Texas Gov. Rick Perry, Rep. Michele Bachmann (R-Minn), and former Sen. Rick Santorum (R-Pa.).
"It's Bachmann, Santorum and Perry who are fighting for the rock-ribbed social conservative voter at the caucus. They're the only three active campaigns out there really going after that vote," said Chuck Laudner, an Iowa operative who is running Santorum's effort in the state.
It's not every day that you look at the new release schedule for a given week and find out that at least four new albums being issued this week arrive courtesy of artistically venerable — and commercially successful! — artists who are, almost incidentally, openly gay. But what's really interesting is the diversity we find in those four artists: a 50-year-old iconic elder statesman from Georgia, a young man from London born to Nigerian parents, a pair of Canadian identical twins, and a thirty-something-year-old vegan from Reykjavík, Iceland, who sings predominantly in a language he made up. That they're all gay, one might argue, is the least interesting thing about them. That they're all approaching their art with honesty and a certain level of transparency, however, is more significant. It's not that we're "post-gay" — as some might prematurely suggest — but that, perhaps, there is a growing appreciation for the valuable perspective that is unique to the openly gay artist. Being out only adds to this cultural resonance, and it seemed important to point that out.
ON THE INSIDE: A career-spanning retrospective that leaves few stones unturned, the final R.E.M. collection features 40 tracks — including three new songs — and, if you're over 30 years old, it might surprise you: This band soundtracked your life more than you ever thought possible. To deny the sheer range of influence that R.E.M. has had on American rock music is impossible.
ON THE INSIDE: The follow up to 2010's The Boxer, Kele's latest EP without Bloc Party is more succinct and a whole lot more confident. "What Did I Do?" — the London dubstep-tinged lead single that introduces us to guest vocalist Lucy Taylor — is a good place to start, while his cover of Q Lazzarus's classic "Goodbye Horses" almost rewrites ownership of the song. Also impossible to ignore: Somebody's been hitting the gym lately.
ON THE INSIDE: A double-live album is, in almost all but the rarest of circumstances, a contract-filler or an ego boost. But in the case of Sigur Rós, it's an opportunity: The entire album (and full-length DVD movie) is performed as a four-piece, which brings an almost ascetic quality to the majesty of the original recordings — an equally as satisfying, but differentiated listening experience that reveals how layered these songs really are.
ON THE INSIDE: After six full-length albums, Tegan and Sara's eponymous band release a full-length concert CD/DVD — including a pair of short documentary films — that span the duo's twelve-year career. It's as earnest as you'd imagine. The live set is something like an episode of VH1 Storytellers, and if you've ever been to a Tegan and Sara show, you know: There quite possibly isn't a better format to see them.
In addition to releasing Aphrodite Les Folies: Live In London on CD and DVD on November 29th — in which she covers the Eurythmics! — the indefatigable Kylie Minogue has also announced a new album on deck for 2012. The singer is currently in the studio to rework a number of her classic songs for a 25th anniversary compilation to celebrate the release of her debut single, "Locomotion."
Ellie Goulding is finally gaining traction on American radio with "Lights," but she's clearly trying to keep the songs fresh: The singer will release a new EP, Live at Amoeba, in honor of Record Store Day on November 25. The four-song set was recorded in April at San Francisco's famed Amoeba Records on Haight Street.
Courtney Love's new version of Hole eggs on Brazilian crowd to chant "Foo Fighters are gay," clearly forgets Kurt Cobain's explicit denouncement of homophobia and high-school-jock-speech. Love later claims, "I'm allowed to use the word 'fag' because I'm a gay icon," clearly forgets that no, she isn't.
Fall Out Boy's Pete Wentz has been playing it low-key with his new band, Black Cards, but this week, the lyricist gets into the studio chair for a big-room remix of Rihanna's latest single "We Found Love." The result? Sounds like he's been listening to Deadmau5 and Wolfgang Gartner lately.
Bright Light Bright Light keeps hustling along until a tentative February 20th worldwide release date for his long-awaited debut album. This week, he offers up some free downloads of '90s-based mash-ups that he constructed for Another Night, his own monthly party in London: Check out TLC vs. Snap's "Rhythm is a Scrub" and Tori Amos vs. Madonna's "Professional Vogue."
UK electropop favorite Little Boots returns this week with the lead single to her forthcoming as-yet-untitled second album, and it's not your typical three-minute pop song: "Shake" is a six-minute floor-filler produced by Simian Mobile Disco's James Ford, geared more for the club than for the radio, but conceivably viable for either. If you're in the neighborhood, Little Boots comes to America for DJ appearances in New York, Los Angeles, and San Francisco this time next week.
SOUND & VISION:
Timo Maas — "College '84" (feat. Brian Molko)
This one, I must admit, was a grower: Timo Maas is a long-time German techno and progressive house producer who came of age in the Global Underground era of clubland, while Brian Molko has spent the last sixteen years as the androgynous, openly bisexual lead singer of Brit-glam stalwarts Placebo. The video for "College '84" is not what it seems at first, but by the end, you'll see why this collaboration is all about techno-sex.
Duran Duran — "Girl Panic!"
Jonas Akerlund is behind Duran Duran's epic nine-minute clip for "Girl Panic!" — in which all of your favorite legendary supermodels of the world assume the roles of the band and the members of the band play everything from journalists to bellboys. Naomi Campbell, Cindy Crawford, Helena Christenson, Yasmin Le Bon, and Eva Herzigova star, while everyone else takes notes.
Miguel Migs — "Everybody" (feat. Evelyn "Champagne" King)
San Francisco deep house legend Miguel Migs released his latest album, Outside the Skyline, earlier this year, and there was really no getting around it: Of all the guest collaborators on the record — including Bebel Gilberto and Meshell Ndegeocello, among others — the return of disco legend Evelyn "Champagne" King was truly something special. This week, "Everybody" gets the buoyant retro-club video it demands.
Patrick Wolf — "The Falcons"
Lupercalia, the long-awaited fifth album from Patrick Wolf, certainly deserves to find itself across any number of Best of 2011 lists, but "The Falcons" is a pretty awesome string around your finger: Directed by Japanese visual artist Noriko Okaku, Wolf's latest video embodies Lupercalia's joyful energy and airborne tenor. It's the visual equivalent of a weight being lifted.