French stars Louis Garrell and Gaspard Ulliel have a dangerous liaison in "Saint Laurent"
BY NATHANIEL ROGERS
As you may have heard last night AMPAS (The Academy of Motion Picture Arts and Sciences) announced that a record 83 films will compete for favor in this year's BEST FOREIGN LANGUAGE FILM showdown. This Oscar category has long been a specialty of mine and a couple of years back I even had the opportunity to speak about it on CNNi. The number of competing films and the media interest seem to grow each year. A dozen or so years ago when Oscar blogging first began to flourish, I was the only writer giving it a lot of attention and now virtually every movie outlet covers it, at least in list or press release format. The growing interest is somewhat odd since it becomes harder and harder for subtitled pictures to find audiences or get decent theatrical releases in the States.
Some movies with early heat in this category include Poland's Ida, an amazing black and white drama about a nun discovering her family history is a must see (it's available on DVD), Argentina's Wild Tales, a raucuous crowd-pleasing collection of outre comedic stories that's produced (but not directed) by Pedro Almodovar which is due in US theaters early next year, Belgium's Two Days One Night, a socioeconomic drama starring Marion Cotillard in yet another incredible performance which opens on December 24th. And.... No, no. We're getting sidetracked. Let's stop there.
There are so many movies worth loving.
For now let's look at movies (and their trailers) with something specific for LGBT audiences
AFTER THE JUMP...
Xavier Dolan, the Queer Canadian prodigy, at Cannes with "Mommy"