The NYT on the fine line Obama walks on LGBT issues:
Mr. Obama’s strategy, administration officials and gay-rights advocates said, reflects two conflicting forces. He recognizes that support for gay rights and same-sex marriage is growing, particularly among young voters.
But he is reluctant in an election year to be drawn into a culture-war issue — one that reliably helps Republicans turn out evangelical voters in their favor and that also strikes a particular nerve with religious black voters, a bedrock Obama constituency in battleground states like North Carolina and Florida.
Experts say many gay, lesbian, bisexual and transgender seniors fear discrimination, disrespect or worse by health care workers and residents of elder housing facilities — ultimately leading many back into the closet after years of being open.
That anxiety takes on new significance as the first of the 77 million baby boomers turns 65 this year. At least 1.5 million seniors are gay, a number expected to double by 2030, according to SAGE, the New York-based group Services and Advocacy for GLBT Elders.
It was 1972, the height of our mutual virility. He and I went to a pub to celebrate his most recent intellectual victory over the establishment press. I intimated that sometimes women could be funny on purpose. Even back then, the thought enraged him. Hitchens threw a drink in my face, pressed a lit cigarette into my neck, and hit me over the head with a barstool. The next thing I knew, it was two days later and I was lying hogtied and naked beside the M5. Hitch had already severely damaged my reputation in a vicious essay in the Guardian. But that’s how he operated, and that’s why we loved him.
Need a New Year's resoluton? Presenting Paul Angelo, gay matchmaker and noted crazyperson, who suggests an "urgent" moratorium on anal intercourse. (HT: Michelangelo Signorile)
Rufus WainwrightHouse Of Rufus: Box Set (Universal)
It's fair to say that when Rufus Wainwright released his debut self-titled album in 1998, the sheer volume and variety of his future work could hardly be predicted. He used to speak of (and, indeed, continues to mention) his desire to be a contemporary pop star, but if House of Rufus — the 19-disc box set featuring almost everything he's ever put his name on in the last fifteen years — reveals any one thing, it's that Wainwright is no contemporary pop star. Nor should he be. When "Foolish Love" opens the set with its theatrical panache, there is no question that Wainwright's idea of pop music sounds nothing like the radio: there is no traditional chorus, the lyrics are more conversational than radio call hook, and the arrangements — provided by the legendary Van Dyke Parks — haven't been "contemporary" since Parks produced Phil Ochs in 1970. Later, within the context of his "official" discography, Wainwright gives us folk tunes, album-oriented rock, classic torch songs, and his own self-proclaimed "popera." There are new versions of Shakespeare sonnets, liturgical mass music, and two CDs worth of Judy Garland covers. There is even the story of Prima Donna, the opera he composed and premiered in 2009. Factually, there is no "hit single," but more importantly, there is no artistic deficit. Wainwright flourishes as a true visionary artist, almost in spite of himself. In terms of rare music, House of Rufus offers an incredible selection of demos and other unreleased material that needed a wide release — the jaunty "A Bit of You" and fan favorite "Money Song" immediately spring to mind — but there's one song whose omission lends unintended irony to Wainwright's pop aspirations: The only officially commissioned remix of a Rufus Wainwright song — by German techno producers Michael Mayer and Superpitcher — gives "Tiergarten" an epic 14-minute ambient disco workout, and in all these years, it's still the closest he's ever come to finding success on a modern dancefloor.
Musicians are responding en masse to news of the death of Amy Winehouse: Says Lady Gaga, "Amy changed pop music forever." Adele astutely noted that "Amy paved the way for artists like me and made people excited about British music again whilst being fearlessly hilarious and blasé about the whole thing." And in a series of tweets, Rihanna said she was "genuinely heartbroken about this." For a longer read from a surprising contributor, comedian Russell Brand offered a deeply personal essay about Winehouse and their shared affliction of addiction: "Whether this tragedy was preventable or not is now irrelevant. It is not preventable today. We have lost a beautiful and talented woman to this disease … All we can do is adapt the way we view this condition, not as a crime or a romantic affectation, but as a disease that will kill."
No Doubt's love for Jamaican dancehall culture, reggae, and ska is well-documented, so it's almost a no-brainer for the crew to hook up with electro-dancehall producers Switch and Diplo — a.k.a. Major Laser — on their forthcoming comeback album. The band revealed they're working on a new song called "Push and Shove" with the duo.
Snow Patrol have announced a new EP for release on September 4 — their first new set since 2008's A Hundred Million Suns. The band released a high-quality version of the title track, a quasi-nu-disco stomp titled "Called Out In The Dark," for streaming on YouTube.
Whether you love Gaga or you'd rather she just go away, there's little arguing that "Edge of Glory" is kind of a jam. UK post-rave standard-bearers Friendly Fires seem to agree: they covered the song for BBC Radio this week.
It's hard to believe it's been over three years since the release of Feist's incredible breakthrough album, The Reminder, but the dry spell is over: A 12-song follow-up album called Metals will get its release on October 4, and the singer has released a string of preview videos to whet your appetite.
This week's Rdio playlist lays tribute to the massive contribution that Amy Winehouse made in creating a hospitable landscape for a British neo-soul and jazz vocal movement that includes, but goes well beyond the phenomenal success of Adele. The circumstances under which this playlist was conceived were, of course, terribly unfortunate. But creating this mix provided a unique opportunity to appreciate the work of Amy's peers and that of her successors — only a partial extent of what will surely become her influential legacy. Direct relations include Dionne Bromfield — the 15-year-old singer who was Amy's goddaughter and protégé — as well as Alex Clare, an ex-boyfriend whose dubstep-soul bears clear traces of her impact. But it's the indirect connections of, say, Kate Nash's straightforward lyrical approach or VV Brown's distinctively English delivery that will remind us most of the profound impact that Amy Winehouse had on British music in such a short amount of time. This mix attests to the fact that her absence will be deeply felt for some time.
SOUND & VISION
Penguin Prison — "Fair Warning"
Ebullient and seemingly effortless, Penguin Prison's latest single is somewhat of a modern new wave benchmark — meaning that if you took away the roaming arpeggiators and impeccably synthesized rhythm, you'd still have a meaningful pop song. All together, it's a last-minute contender for song of the summer.
Joan as Police Woman — "Chemmie"
Her bio includes stints with Antony & the Johnsons and the Dambuilders, collaborations with Rufus Wainwright and Scissor Sisters, and significant-other status with the late Jeff Buckley, so if the company that Joan Wasser keeps is any indication, her talent-to-notoriety ratio is sadly skewed in the wrong direction. "Chemmie" is the third single from last year's The Deep Field — a jazzy, but soulful take from an emerging artist that demands a second look.
Starsmith — "Lesson One"
His most recent notoriety comes from an impressive list of songwriting and production credits for Ellie Goulding, Girls Aloud's Cheryl Cole, and Kylie Minogue — if you liked "Put Your Hands Up," he's one of the people you'll want to thank — but later this year, Starsmith plans to strike out with his solo debut. "Lesson One" is the second official single from that album, co-written by French club producer Alan Braxe.
The Forms — "Fire to the Ground" (feat. Matt Berninger)
The Forms recent Derealization EP showed a band on the verge of a creative apex, and with the video for "Fire to the Ground" — one of its standout tracks featuring vocals by The National's Matt Berninger — the New York-based duo step up the visual element: Intricate, conceptual, and somewhat dark, insofar as occasionally mirthful dancing can be dark, this is not the kind of choreography you'll see on So You Think You Can Dance.
Blogger snags interview with his "man crush"; prime minister Vladimir V. Putin.
Michelle Obama alludes to gay families in speech to graduates at West Point: "I ask you to remember that family has always been a centerpiece of our American story. No matter how you’ve grown up, no matter how you define family, all of you have someone in your life who believed in you and pushed you."
Freshly out news anchor Don Lemon: "It's time for us, especially black people, to stop trying to pray the gay away and to get on our knees and start praying that the discrimination of gay people ends."
Michael Bublé gives marriage with the same woman another shot.
Scottish politician calls the exclusion of openly gay ministers in the Church of Scotland "old-fashioned prejudice masquerading as morality."
YOUR FEATURE PRESENTATION The more things change the more they stay the same? The comedy Arthur (1981) opened during a recession and high unemployment rates. Here we are again in 2011 when all but the richest are hurting and that drunken millionaire is rearing his head again. He's hoping you'll laugh with him or at him -- either will do as he has no shame. The first time around audiences did just that. They embraced Arthur's reckless entitlement and threw millions more into his seemingly bottomless coffer, turning the film into one of the biggest blockbusters of early 80s cinema.
The remake, also named ARTHUR (2011) is in some ways a recreation with virtually the same character in a nearly identical plot. The few changes are cosmetic though Arthur's net worth hasn't changed all that much, rising from $750 million to $950 million, which has to be the smallest bump that any über-wealthy American has received over the past 30 years of the country's widening economic gap. "Hobson," Arthur's confidant, protector and enabler is also virtually the same but for a gender change: goodbye Sir Gielgud, hello Dame Mirren.
Greta Gerwig has the unenviable task of stepping in for Liza Minnelli.