Two hours and change is time enough for a substantial snooze. Who couldn’t use one right about now? But if you’d rather spend as much time inside the Friedman Theatre, playwright Richard Bean’s The Nap quite bravely insists that its title relates to another beloved pastime. That would be the fuzzy surface of a snooker … Continue reading Trans Representation Comes at a Price in ‘The Nap’ on Broadway: REVIEW