A River of Flesh


Spencer Tunick unveils one of his massive living installations this week at Gateshead, UK, where it was shot last July. His interpretation:

The straightbacked bodies reminded him of “newborn trees”, he said. But he also adduced a “whimsical, 1984-ish narrative element to the piece” – a sense that one might imagine some curious, even sinister futuristic process being undergone by the participants: mind control? Mass cloning? Evacuation?

Moons for the Misbegotten [tr]
Destination Florent [tr]