BY NAVEEN KUMAR
Theatre is risky business. Trusted safety precautions include movie adaptations (What’s your damage, Heather?), stars above the title (NPH, lick my glasses!) and proven classics with stars above the title (Swooning for Denzel? Get in line). Though some hedged their bets, the year’s best plays and musicals took big risks that paid off. Whether breathing new life into beloved stories or creating new ways of telling (with puppets!), the top of the crop never failed to thrill, entertain and enlighten. From highbrow to lowbrow and, well, Hedwig—read on for a list of my top 10 favorites.
10. Heathers: The Musical: Transforming the treasured and twisted 1988 teen flick into a stage musical was no easy feat, but writers Laurence O’Keefe and Kevin Murphy pulled it off with an intoxicating mix of verve and camp. Profane, over-the-top and, yes, ballsy—Heathers wins the award for this season’s guilty pleasure most likely to get stuck between your teeth. But the musical also toed a fine line with its carefully crafted tone, balancing its bubblegum cynicism with genuine sympathy for every social strata of high school hell.
9. This Is Our Youth: Director Anna Shapiro’s fine-tuned production of Kenneth Lonergan’s seminal Gen-X comedy about twenty-somethings stalling to come of age in NYC marks the play’s Broadway debut, and a high point in both its nearly 20-year history and the fall season. With dynamite performances from Michael Cera, Kieran Culkin and Tavi Gevinson, Lonergan’s trio of hyper-articulate, aimless thrill-seekers buzzes with the hallmark frenetic energy of youth in any age.
8. The Bridges of Madison County: With a soaring, resonant score by Jason Robert Brown (sung to perfection by Kelli O’Hara and Stephen Pasquale) and book by Marsha Norman, Bartlett Sher’s Broadway production elevated its Harlequin romance-inspired material into a vividly intimate and deeply felt love story. Also based on James Waller’s best-selling novel, Sher’s production was as nuanced and graceful as Clint Eastwood’s 1995 film is sappy and melodramatic.
7. Bootycandy: Writer-director Robert O’Hara’s semi-autobiographical and provocative coming-of-age tale about growing up black and gay defied generic formula for a more daring, fractious kind of storytelling. From outrageously funny to touchingly intimate, O’Hara’s collage of colorful snap-shot scenes assembled into a refreshingly inventive and wholly effective big picture of life outside the margins.
Countdown continues AFTER THE JUMP...