Jordan E. Copper in 'Aint No Mo' The year in theatre was marked by daring artists who took big risks and stuck the landing.* For every jukebox recycling bin, there was a dark chamber musical set at … [Read more...] about Towleroad’s Top 10 Plays and Musicals of 2019
Naveen Kumar
‘Jagged Little Pill’ Is a Raw and Explosive Portrait of Suburbia on the Brink: REVIEW
Some music is so emotionally raw, it’s almost embarrassing. The vulnerability of its rage and sorrow feels too messy and explicit, detailing dark recesses of feeling many of us would just as soon keep … [Read more...] about ‘Jagged Little Pill’ Is a Raw and Explosive Portrait of Suburbia on the Brink: REVIEW
On Broadway, ‘The Inheritance’ Sprawls but Rarely Cracks the Surface: REVIEW
A dozen men lay scattered across a blank page, wondering where to begin. They want to tell a story that will help them understand what it means to be twenty-first-century gay men. It’s a daring … [Read more...] about On Broadway, ‘The Inheritance’ Sprawls but Rarely Cracks the Surface: REVIEW
Male Mediocrity Goes to Seed in ‘Linda Vista’: REVIEW
A man is breaking up with a woman over dinner. She’s a life coach, and he is — to use a label he hates but is most accurate — a hot mess. “You don’t listen to me,” he says callously. And yet, up to … [Read more...] about Male Mediocrity Goes to Seed in ‘Linda Vista’: REVIEW
Beyond the Breaking Point in ‘Slave Play’ and ‘Heroes of the Fourth Turning’: REVIEW
America is at war with itself. Our frontlines are littered with CAPS and too much punctuation (!!!), centuries-long discourse reduced and shoved into tweets and comments. Mostly, we rage inside echo … [Read more...] about Beyond the Breaking Point in ‘Slave Play’ and ‘Heroes of the Fourth Turning’: REVIEW
Broadway’s ‘Moulin Rouge!’ Is a Dystopian Glitter Bomb of Empty Excess: REVIEW
When the first notes of “Lady Marmalade” trill through the Al Hirschfeld Theatre — red dripping from floor to ceiling, the stage crowded with inset hearts — they inspire a palpable sense of déjà vu. A … [Read more...] about Broadway’s ‘Moulin Rouge!’ Is a Dystopian Glitter Bomb of Empty Excess: REVIEW
At First I Didn’t Think ‘Fairview’ Was for Me: REVIEW
It’s hard to talk about Fairview. Not just because the play has already caused a sensation, unleashing a flood of critical acclaim when it opened at Soho Rep last year and winning playwright Jackie … [Read more...] about At First I Didn’t Think ‘Fairview’ Was for Me: REVIEW
‘Hadestown’ Wins Big in Tony Awards Marked by Calls for Empathy, Inclusion: FULL LIST OF WINNERS
That a musical about hell triumphed at the 2019 Tony Awards seems almost uncanny and feels exactly right — not just because many find it’s where we live now. Hadestown, which won the Best Musical … [Read more...] about ‘Hadestown’ Wins Big in Tony Awards Marked by Calls for Empathy, Inclusion: FULL LIST OF WINNERS
Taylor Mac’s ‘Gary: A Sequel to Titus Andronicus’ Is a Bloody Riot on Broadway: REVIEW
A naked corpse is peeing in Nathan Lane’s face. He wipes it clean, and the pale makeup he wore as a clown before becoming a royal coroner goes, too. Bodies are piled sky high on stage at the Booth … [Read more...] about Taylor Mac’s ‘Gary: A Sequel to Titus Andronicus’ Is a Bloody Riot on Broadway: REVIEW
Broadway’s Sensational ‘Hadestown’ Wrenches Myth into Modern Times: REVIEW
The world on stage at the Walter Kerr Theatre feels a lot like ours — scorched but soulful, a sort of dystopian now. As the first staccato notes of “Road to Hell” flit from an onstage trombone, it’s … [Read more...] about Broadway’s Sensational ‘Hadestown’ Wrenches Myth into Modern Times: REVIEW
