Antonio Banderas | Film | Glenn Close | Marilyn Monroe | Nathaniel Rogers | Oscars | Pedro Almodóvar

Movies: Identity Crises with Antonio Banderas, Glenn Close and Marilyn Monroe

Pedro Almodóvar And His Latest Plaything from "The Skin I Live In"

...would live in the movie theater but for the poor internet reception. He blogs daily at the Film Experience. Follow him on Twitter @nathanielr.

This weekend at the multiplex it's the battle of the 80s remakes with sci-fi horror film THE THING (previously in theaters in 1982) vs. "everybody cut everybody cut" dance drama FOOTLOOSE (previously in theaters in 1984). The latter proudly and absurdly waves a "this is our time" tagline despite being a remake of another generation's touchstone.

Skin-tiemeupBut no matter. The only one that truly matters is Pedro Almodóvar's new gem THE SKIN I LIVE IN. While it's not quite on the level of his five masterworks (Law of Desire, Women on the Verge...All About My Mother, Talk To Her, and Volver if you ask me) very few films are. Second tier Almodóvar is still better than most movies made in any given year. For his latest he's reunited with his only male muse Antonio Banderas for their sixth film together and their first since Tie Me Up! Tie Me Down! (1990) in which sexy Antonio held a beautiful woman prisoner until she loved him. Twenty-one years later and Antonio is up to his old Stockholm Syndrome tactics again. This time he's a brilliant cold plastic surgeon and the woman he's holding captive (Elena Anaya) seems to be a semi-willing guineau pig in a series of illegal surgeries which will give her flawless new skin. But why does he keep her locked up? What exactly happened to the surgeon's wife and daughter who are nowhere to be seen? How long has this been going on? 

Like most Almodóvar films this one is novelistic with intriguing details that could make their own movies, has themes of identity and sexuality that are of interest to LGBT audiences, features smartly executed twists which bring the story into perverse focus, and wows with stunning imagery including simple but freakishly haunting costumes from Paco Delgado (with an assist from Jean Paul Gaultier). I hate to quote Peter Travers from Rolling Stone since his whole raison d'etre as a film critic is to be quoted but they used to promote Pedro's movies with this blurb:

"Pedro Almodóvar doesn't just make movies. Almodóvar is the movies."

A more succinct and correct appraisal I've rarely read.


 roadDid you know they had personal trailers in the 19th century? How else to explain Aaron Johnson's physique in Albert Nobbs?

More identity crises AFTER THE JUMP...


Albert-dour  roadOkay, okay. Aaron Johnson is not of much consequence to Albert Nobbs, but I just wanted to post those screengrabs courtesy of MNPP. Can you blame me?

RoadAlbert Nobbs is really all about Glenn Close's Oscar grab though the trailer does seem to have something of an identity crisis itself. Close plays the titular character, a female waiter who passes herself off as a man in Ireland. She finds an unexpected ally in Mr Hubert Page (Janet McTeer) someone much more comfortable with their trans identity. Not many people have seen the film yet but among those who have there's some concern that it's too restrained a star turn and film to win Glenn Close that elusive Oscar. But "career achievement" angles and story hooks can go a long way during Oscar season. It's worth noting that Glenn Close first played this role on stage in 1982, which was also the year of her movie debut (The World According to Garp) for which she earned the first of her five Oscar nominations and she co-wrote the Nobbs screenplay. That's quite a lot of material with which to build an Oscar campaign. I wouldn't bet against her for a Best Actress nomination (at least at this point). 

 roadSpeaking of Oscars and actresses, some people are mighty pissed at Hilary Swank for a recent appearance in Chechnya

 roadMichelle Williams is also generating Oscar buzz now that people have been seeing My Week With MarilynMichael Musto reminds us of this tragic Marilyn Monroe Oscar Factoid. The subject of Marilyn and acting is always a fascinating one since "Marilyn" was a performance from the beginning. Here's a great piece on the overplayed legend and the underplayed quality of Monroe's acting. I also saw the film but while I think Michelle is certainly giving it her all the takeaway for me was hammy Kenneth Branagh's brilliant casting as hammy Sir Laurence Olivier. 

Kellan-immortal  roadThe Immortals, that sweaty muscley Tarsem Singh picture (he previously directed the visual wows that were The Cell and The Fall) sure is banking on the beefcake to pack 'em in on opening weekend. Regarding the new photos of Henry Cavill (your future Man of Steel) and Kellan Lutz (to your right),  it's worth noting that the costumes are by the brilliant Eiko Ishioka who won the Oscar for Bram Stoker's Dracula (1992) for costume design that practically doubled as art direction. Who needs sets when you've got Ishioka costumes?

 roadNewsflash: Jack Nicholson has not retired from acting despite appearances. Turns out he's considering a Jackie Robinson biopic.

 roadThis new TV season is so trashy isn't it between new bitchy soaps like Ringer and Revenge? I don't know what the hell to make of American Horror Story but the legendary Jessica Lange is definitely winning fans again with her latest variation on Unstable Faded Beauty.

 roadWhatever you think of out director Joel Schumacher and many people aren't fans, this new interview with Movie|Line on the occassion of the release of Trespass (starring Nicolas Cage and Nicole Kidman) is kind of endearing. Love this bit:

My job is to hire the most talented people and just keep reminding them how talented they are. How heightened is too heightened? I think we all love over-the-top. One big director said, “No one ever paid money to see ‘under-the-top.’

That's so true. If Glenn Close were any less obvious about wanting to win an Oscar, if Eiko Ishioka were any calmer with her costuming, and if Pedro Almodóvar weren't dependably outré and colorful, we'd be sorely disappointed. 

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  1. No mention of Bad Education? His best (IMO anyway) and gayest film?

    Posted by: BEAHBEAH | Oct 13, 2011 8:50:45 PM

  2. Almovodar and Banderas can do no wrong in my book.

    Posted by: JEFFUWS | Oct 13, 2011 9:15:11 PM

  3. @BEAHBEAH, While Antonio was not in 'Bad Education', released in 2004, it was a great film with a strong gay theme.

    'Bad Education' starred Gael Garcia Bernal, who, like Antonio, is very talented. Gael is from Mexico, but has worked in several international productions, such as 'Babel' and 'Blindness'

    Agreed, Almodovar is a true artist.

    Posted by: Xavi | Oct 13, 2011 9:47:49 PM

  4. "Footloose" is actually fantastic.

    Posted by: Glenn | Oct 13, 2011 11:39:45 PM

  5. Great post. I like it.

    Posted by: resume service | Oct 14, 2011 5:13:13 AM

  6. Nathaniel.....

    Somehow the people you have mentioned are not whom Shumacher was talking about seeing he has just made a movie with Nicole Kidman and Nicholas cage. Also didn't he do that hammy Batman?

    If he really cared about great actresses or actors, then he would cast them.

    What HE is saying like many self hating gay men who are OBSESSED with Diva's is that he likes to cast movie stars in his movies instead of brilliant but little known actors/actresses.

    Aaron Johnson-yuck, though he's onto his second child with that 40 year old director and I don't think he's out of his teens yet is he?


    Posted by: Rowan | Oct 14, 2011 7:55:59 AM

  7. Personal traiNers, you mean?

    Posted by: Jamie | Oct 14, 2011 8:35:38 AM

  8. Almodovar's movies are always interesting- Pedro went from making funny trashy comedies to truly great works of cinema. One of the true modern masters.

    Posted by: jaragon | Oct 14, 2011 6:12:09 PM

  9. Sorry Glenn, but this year it's Meryl Streep's for the taking, as Margaret Thatcher.

    Posted by: Throwslikeagirl | Oct 15, 2011 7:14:04 PM

  10. I, too, wondered how Bad Education could have been left off the list.

    Posted by: stick | Oct 16, 2011 12:38:46 AM

  11. Passing Women (lesbians and some straight women who dressed as men for safety and financial reasons) are not the same as Trans men.

    These women did not feel that they had been born in the "wrong" body nor did they want to be men. The lived as men to protect themselves.

    They lived as men because it was safer and it allowed them to work in fields which they could not have if they were known to be women

    It was also a way for lesbian couples to be openly together without drawing attention to themselves.

    These are two separate historical phenomenons.

    There is a long tradition of women who were not Trans who dressed as men to avoid the overwhelming sexism of the culture.

    There were Passing Women who fought wars, traveled to the American West during the Gold Rush, work on railroads, ran cattle, etc through US history and the same is true for much of Europe.

    For these women it was sexism, misogyny and patriarchy, not gender identity that was at issue.

    Posted by: Pickles | Oct 16, 2011 8:33:51 AM

  12. Good to be here. You have done a good job. Keep up the great work. Thanks for sharing…

    Posted by: Prada Sonnenbrille | May 31, 2012 10:18:50 PM

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