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‘A Kid Like Jake’ Opens Off Broadway at LCT3: REVIEW

A-KID-LIKE-JAKE_gugino_grosz

BY NAVEEN KUMAR

Playwright Daniel Pearle’s new play about a young couple whose 4-year-old son Jake enjoys playing princess at playtime opened Off Broadway last week in a Lincoln Center Theatre production at the Claire Tow theatre.

As an ex-lawyer turned stay at home Mom and a practicing therapist, Alex (Carla Gugino) and Greg’s (Peter Grosz) approach to parenting is perhaps more than commonly heady and self-analytical. While they’re relatively supportive of Jake’s ‘gender variant play’ (as his pre-school counselor deems it), their true feelings are put to the test as they navigate the application process for Jake to attend Manhattan private school.

A-KID-LIKE-JAKE_gugino_aaronJake’s pre-school counselor and friend of the family Judy (Caroline Aaron) suggests Alex call attention to her son’s unique behavior in their applications, as something that may be attractive to progressive schools with an eye for diverse student bodies. As Jake’s behavior evolves over the course of the play, the question of which sort of body he actually wants to live in becomes more pressing.

Jake’s favorite fairytale, Cinderella, is rich with associations relevant to Pearle’s drama. Grimm’s story touches on both the power of transformation in outward appearance, and the pain of forcing the body into artificial constraints, like a shoe that doesn’t fit. (In a somewhat on the nose moment of child psychologizing, Judy and Greg examine Jake’s drawing of the bloody scene in which Cinderella’s stepmother mutilates her daughter’s foot to fit the glass slipper.)

A-KID-LIKE-JAKE_guginoPearle’s play offers much food for thought in examining the indoctrination of binary gender norms during childhood development. Alex and Greg’s acceptance of Jake’s choices in gender expression at home is only one aspect of the story. When it comes to introducing his behavior to friends and neighbors or setting it to paper in application essays, Alex in particular struggles with how unconventional labels might affect him, as well as her own somewhat veiled hope that it’s just a phase.

Jake remains unseen throughout, in line with how much of child behavior is recounted in stories—from teachers to parents, from one parent to another—rather than directly witnessed. Though consequently the play, set across various interiors including the couple’s apartment, Judy’s office, and a doctor’s waiting room, has more he-said she-said dialogue than compelling stage action.

Director Evan Cabnet elicits fine performances from the small company, particularly Ms. Gugino (Desire Under the Elms, After the Fall) as frayed and determined Alex.

Though the fraught private school application process drives the play’s momentum, Pearle’s examination of responses to gender variant behavior is certainly the heart of his drama—since the former is only of genuine interest to a very elite few.

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Follow Naveen Kumar on Twitter: @Mr_NaveenKumar (photos:erin baiano)

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  1. OK, we read it described and analized. That is nice.
    Could somebody chime in with the answers to "Was it good?" and "Did you enjoy it?"

    Posted by: Bob | Jun 25, 2013 8:20:17 PM


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