Movies: Hugh Jackman and Jake Gyllenhaal Anchor Tense ‘Prisoners’

Prisoners-flashlightThe red whistle is not a red herring. Instead, that damn missing whistle acts as a perfect talisman for the movie itself. Prisoners begins emitting piercing psychic cries as the parents spin out of control and the mysteries thicken and the hours drag on. Statistically speaking, things dont look good for missing children after the first couple of days. Keller Dover (Jackman) is a survivalist who believes in being prepared but how do you prepare yourself or your family for the worst nightmares? When a local ace detective Loki (Jake Gyllenhaal) can’t make a case stick against the man in the RV (Paul Dano, in greasy/creepy mode) Keller decides to take the law into his own hands, plunging both families and a third one (Dano and his aunt played by Melissa Leo) into an increasingly gruesome nightmare from which its uncertain that any of them will emerge with their souls intact. 

will undoubtedly remind a lot of people of David Fincher’s Zodiac (2007), another film that invites you to lose your mind over Jake Gyllenhaal’s soulful handsomeness while Jake Gyllenhaal loses his mind over maddening puzzles, dropped like poisoned crumbs from serial killers. (Has any actor ever so expertly conveyed “needs a hug” “needs to be left alone” “needs to be cooperated with” or “needs to be kissed” as Jake at his finest. I mean…

(not a still from Prisoners)

come on.

It’s those inescapably big pleading eyes you can get all but lost in. (But enough about my boyfriend.) These Zodiac comparisons are merely cosmetic.

The film it most calls to mind deep in the marrow is actually Clint Eastwood’s Mystic River (2003), both for the starry miserable cast (beloved faces in pain everywhere you look!) and the moral rot of “is that my daughter in theeeerrrrrre?” parental grief and intimations of long ago child abuse. Prisoners also shares with Mystic River a barely noticeable thin sheen of flop sweat, as if every moment could tip over into the risibly pretentious, weighed down by the self-regard of High Art treatment of Low Brow genres. This filmmaking team isn’t kidding around: Villeneuve and his editors are giving us everything they’ve got with the pacing (despite a lengthy running time); famed cinematographer Roger Deakins (True Grit, Skyfall) is making sure every wet windshield and flashlight makes the visuals sing; and the actors all attack the material full throttle, though some chew scenery with more realistic delicacy than others.

My favorites among the cast were Viola Davis (who is, no joke, always perfect. Why can’t Hollywood give her leading roles after her sensational work in The Help?), Hugh Jackman (too fine and appealing an actor to make this angry dangerous man tip over into the insufferably hateful), David Dastmalchian (who some will remember as one of the Joker’s henchmen in The Dark Knight) who is both unnerving and weirdly sympathetic as a suspect Loki pursues, and Jake Gyllenhaal himself, who works so hard at making this earnest detective three dimensional (with virtually no help from the screenplay since the detective’s persona is the least of its concerns). I’d gladly follow Loki into a whole film franchise of his own. 

Prisoners drives so forcefully into its various climaxes of conscience or bodily harm in the final hour that it continually risks running head first into a calamity of silliness (the plot is, how shall we say,… baroque) including, quite literally, in a terrible ‘there’s not much time!’ driving sequence to an Emergency Room. We know how that scene is going to turn out (despite plentiful well crafted surprises elsewhere) which makes it embarassingly gratuitous. Yet to the great credit of Prisoners and its strong cast, most of the time you’re too tense to think about jumping ship. Or even why you’re in the car or where you’re going. Most of the time you’re content to ride shotgun as it careens through rain-soaked streets or chases its protagonists on foot into their murky labyrinthine moral quandaries or the dimly lit recesses of their souls suburban homes. Prisoners loves to fade to black at crucial moments when you’re expecting a release of the tension. That’s a fitting flourish for a movie that races so stubbornly and heedlessly towards all of its darkest impulses. 


Nathaniel Rogers would live in the movie theater but for the poor internet reception. He blogs daily at the Film Experience. Follow him on Twitter @nathanielr.


  1. Ryan says

    Jake Gyllenhaal was amazing! As of now, I definitely think he deserves Best Supporting Actor.

    Hugh Jackman was every bit as good, but I had a few issues with the writing of his character that held it back a little bit. Not Jackman’s fault at all (I actually think he was better in this than he was in Les Mes — and I thought he deserved the Oscar for that over DDL’s slightly overrated performance in Lincoln), but I fear the writing issues will get taken out on him.

    I still think Hugh will get the nomination though… but Jake could take home the statue.

  2. Jason B. says

    This was a great movie. Reminded me of Seven in its presentation of pure evil and darkness in humanity. I don’t mean Jackmans reaction, I think I would have reacted in the same manner as would a lot of fathers, brothers, uncles etc.

  3. Dback says

    Grim movie, sputters a bit towards the end, but with stupendous performances–and Gyllenhall slowly takes center stage as that rarity in a sin-stained world, a quirky but genuinely decent man. (He’s like Javert crossed with a white knight.) He’s terrific.

  4. Kua says

    No one else has commented on Gyllenhaal’s different eye color–one brown, one blue. It fits in with the color palette of the movie–all brown gray/blue. It physically shows the dichotomy of the detective’s personality. The dark past, evidenced by various tattoos–and his contained now–in which he tightly hold in his emotion; until he can’t.

  5. Pete says

    I saw the two different color eyes on Jake, I was quick to notice as its a common trait found among deafs. I even have a friend who has that problem and she’s deaf. Iactually had to search if this was real :)