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Movies: Oscar Weekend —The Predictions!

Argo-vs-lincoln
Argo took the lead from Lincoln but which film will win the most Oscars on the big night?

BY NATHANIEL ROGERS 

Kathy-oscar-showYesterday on Kathy Griffin's new show she began with an Oscar monologue and brought out a gold trunks-clad model with his hair cropped tight and his body sprayed gold. I'll let it slide that he wasn't actually bald but he stood with his legs spread far apart and his hands behind his back. Had he never seen an Oscar statue before?

UR DOING IT WRONG! 

As you may have guessed I hold the Oscars sacred. You might call it my religion. I've been watching them since I was a little kid and as an adult I have spend an inordinate amount of time obsessing over them and even made something of a career out of it. [Pity me!]  But never before in my life have I had such a hard time predicting the winners.

Oh sure, Argo will win Best Picture and Daniel Day-Lewis who many of us  first fell in love with as a blonde gay punk working in that Beautiful Laundrette will win for becoming President Lincoln but elsewhere in Oscar's 24 Categories there's an awful lot of room for pundits to embarrass themselves this year!

Best Director, for one, is baffling. The tech prizes look like a very bloody battle between at least three pictures (Anna Karenina, Skyfall & Life of Pi). And so on.

Skyfall-bathingsuit

AFTER THE JUMP my Oscar predictions, presented in the order in which the categories were presented last year. If I get everything wrong please forget we ever spoke of this! 

CONTINUED, AFTER THE JUMP...

BEST CINEMATOGRAPHY
Since so much of the traditional craft of cinematography has to do with lighting, it's odd that this category has of late become an extension of the visual effects category. Movies keep winning that look they were heavily created in post-production in the vfx bay… which is why I think Ang Lee's CG heavy spiritual parable about a boy and a Bengal tiger probably has this one wrapped up. And not just because it's bioluminescent moments are subliminal reminders of Avatar (which also won this statue). That will be a bitter defeat for fans of the legendary Roger Deakins who single handedly made this the Best Looking Bond ever (well, he and Daniel Craig's trainer). Deakins has been nominated ten times, he's hugely influential to the art of cinema, and he's never won that freaking statue. 

Will Win: Life of Pi
Might Win: Skyfall
Should Win: Anna Karenina or Skyfall

BEST PRODUCTION DESIGN
Production Designers are responsible for the entire look of a picture -- the color palette, the sets, the visual bric-a-brac. But this award also sometimes goes to heavy f/x pictures. Nevertheless since "Best" often means "Most" with Oscar, for better and worse, I think this time it's going to the movie with the Most Production Design of the Traditional Variety... albeit with a twist; Anna Karenina's sets transform as you watch them.

Will & Should Win: Anna Karenina
Might Win: Life of Pi

BEST COSTUME DESIGN
Oscar chose well in this category. Will they prefer the death fetish ensembles of Queen Ravenna in Snow White and the Huntsman, the period recreations of Lincoln, the theatrical flair of Les Misérables? None of the above. This is a contest between the gobsmackingly beautiful & sumptuous Anna Karenina and the swan song of Eiko Ishioka, one of the world's most innovative costume designers (she died a year ago) on that other Snow White picture Mirror Mirror

Costume-battle-oscar

Will & Should Win: Anna Karenina
Might Win: Mirror Mirror

BEST MAKEUP
I always pray that the Oscars won't become like the Emmys and reward the same things over and over again -- they're definitely in danger of that since the cinematic landscape is more cluttered with franchises and sequels than its ever been. Middle Earth might well win a third Makeup Oscar so is this prediction wishful thinking?

Will Win: Les Miserables
Might Win: The Hobbit
Should Win: Les Miserables 

BEST FOREIGN LANGUAGE FILM
This category is always plagued with the "haven't seen it" factor which prevents most moviegoers from caring about it. The problem is that the rules don't require these candidates to open in the US during the film year so only Denmark's A Royal Affair (a strong costume drama with eerily resonant politics) and Austria's Amour (also nominated for Best Picture) have been widely seen. Chile's entry No starring everyone's favorite Mexican hottie Gael García Bernal (something of a mascot of this category) is a terrific movie that would make a totally worthy winner in most years (go see it!) but it's only just opened in theaters. Canada's child soldier drama War Witch and Norway's seafaring Kon-Tiki (drool-cup required if you're into hunky Scandinavian men) have yet to open.

Will & Should Win: Amour
Might Win: n/a

BEST SUPPORTING ACTRESS
When they snubbed Nicole Kidman's risky slutty genius in The Paperboy (you're only hurting yourself if you haven't seen her psychic blowjob routine) I lost interest in this category. Instead we got the now grossly overappreciated Amy Adams (four nominations already???) in The Master and Jacki Weaver's able smiling from the background of Silver Linings Playbook. Helen Hunt and Sally Field were both terrific in The Sessions and Lincoln respectively but the polarizing Anne Hathaway is sucking up all the oxygen in the room. FTR: I adore Anne Hathaway and "I Dreamed a Dream" absolutely killed me (in the good way) so haters can blow me… psychically.

Lesmiz-dreams

Will & Should Win: Anne Hathaway
Might Win: Sally Field (only if voters hate Hathaway as much as the internet seems to. Although I maintain that a third win would do a lot of damage to Field's legacy. She suffered quite a lot of "you like me. you really really like me" backlash after her second Oscar.)

BEST FILM EDITING
I will need a moment of silent tears when this category is over. Frankly I think Argo gilds the lily way too much in its final moments with every SUSPENSE cliche in the book so I don't think it deserved the nomination much less a win. But unless they can be convinced otherwise, they like to pair this with their choice for Best Picture.

Will Win: Argo
Might Win: Life of Pi
Should Win: Zero Dark Thirty hands down

BEST SOUND
A lot of people -- even crazed movie buffs -- don't understand the difference between these two categories. I shall try to explain in brief: Sound Editing is the creation of the aural elements and the special effects portion of the noise you hear. Sound Mix is how all the elements (dialogue, score, f/x, ambient sound, etcetera) blend together. Les Miz has had the noisiest campaign for Sound Mixing given all the hoopla about the live-singing and the orchestral ear pieces and then all the work they had to do in post to line everything up but here's something you should know: Greg P. Russell is one of the most nominated losers in Oscar history. He's up for Sound Mixing for the 16TH TIME for Skyfall. If Skyfall wins, expect that bearded man on stage to have a joygasm. 

Editing
Will Win: Life of Pi
Might Win: Skyfall
Should Win: Zero Dark Thirty
Mixing
Will & Should Win: Les Misérables
Might & Should (Too) Win: Skyfall

BEST DOCUMENTARY FEATURE
I haven't seen all of the nominees here yet but I'm rooting hard for the very moving Plague, and not just because it's gay. It's also very well structured, balanced and smart. But Sugar Man, which I think is a lesser picture, has been winning lots and lots of awards and did well at the box office, too.

Will Win: Searching for Sugar Man
Might Win: How To Survive a Plague

BEST ANIMATED FEATURE
This year's field  has been unusually combative since there's no frontrunner. The only film without a prayer of winning is The Pirates! A Band of Misfits which was the only surprise nominee. My heart goes out to ParaNorman since it's an Honorary Gay movie but I don't think it'll manage a win opposite much larger films from major studios or famous directors.

Paranorman-mitch

Will Win: Wreck-It Ralph
Might Win: Brave
Should Win: Frankenweenie? It's a toss up for me. (Believe it or not it'd be Tim Burton's first Oscar!)

BEST VISUAL EFFECTS
As much as everyone loved The Avengers last summer -- "we have a Hulk" -- this one is a no brainer. 

Will & Should Win: Life of Pi
Might Win: n/a

BEST SUPPORTING ACTOR
Introducing the year's simultaneously Most Boring & Most Exciting contest. How is that even possible? Well, it's boring because there's no reason to really root hard for any of the men since all of them are previous Oscar winners (the only time in history that's happened in an acting category) and it's the most exciting because it's the only one five-wide race going. You can make a case for any of the five winning: Alan Arkin might win on the coattails of the Best Picture Argo; Robert De Niro might win for Silver Linings Playbook because his campaign was relentless and because he's finally trying to act again after years of phoning it in; Tommy Lee Jones might win because he's phenomenally effective in Lincoln; Christoph Waltz might win because he already won for this performance in Inglourious Basterds and he's the lead  -- seriously they might just as well have titled it Schultz Unchains Django; and Philip Seymour Hoffman might win for The Master simply because he's Philip Seymour Hoffman. My hope is that they'll all split the vote and we'll end up back where we started with the original frontrunner.

Will & Should Win: Tommy Lee Jones, Lincoln
Might Win: ANYONE

BEST ORIGINAL SCORE
My guess is the film with the most world-music sound takes it.

Will Win: Life of Pi
Might Win: Skyfall
Should Win: Anna Karenina

BEST ORIGINAL SONG
Believe it or not no Bond film has ever won Best Song… and very few of them have been nominated! In fact Skyfall ended a 30+ year drought of nominations for James Bond pictures. I only ask that she find a way to high-five Daniel Craig again when she wins the Oscar.

Highfive

Will & Should Win: "Skyfall"
Might Win: n/a

BEST ADAPTED SCREENPLAY
I'm desperately hoping that Tony Kushner wins for Lincoln because he's a genius. Somehow he made a complex totally involving movie about a bunch of old men in wigs arguing with each other for 2 ½ hours. Plus Lincoln has more jokes than Argo. It's true. Argo has just one but it fools you into thinking it has a lot of them by telling it so often.

Will Win: Argo
Might & Should Win: Lincoln

BEST ORIGINAL SCREENPLAY
I'm taking a risk in my prediction here because I don't think Amour is going home with only one Oscar. Precursor Awards have favored Django Unchained and Zero Dark Thirty in this category but I'm guessing their heat has dissipated enough to give Michael Haneke a well deserved trophy for his incredibly moving drama about the end of life and longtime love.

Will Win: Amour
Might Win: Zero Dark Thirty
Should Win: Moonrise Kingdom

BEST LIVE ACTION SHORT, DOCUMENTARY SHORT, ANIMATED SHORT
This tends to be the area where I fail most dramatically at making correct predictions -- even in years where I catch all of the nominees -- but my guesses are Curfew, Innocente and Paperman respectively.

BEST DIRECTOR
Along with Supporting Actor this is the most difficult category to predict this year. The reason being that Ben Affleck, who I had predicted for the win before the nominations were announced, was a surprise omission. With Argo out of the mix anything could happen. In most situations this would be an easy get for Spielberg but the raves for Lincoln have been heavily focused on its screenplay and its actors rather than on its direction … and he's already won this prize twice which will give some voters pause. Ang Lee arguably has the toughest assignment and Life of Pi is a global hit. But will he really win a second Best Director Oscar for another film that won't win Best Picture (Brokeback Mountain *sob*). David O. Russell could surprise since Playbook had a really aggressive campaign. It would take a miracle but I'm rooting for one of the other two. 

Anglee-pi

Will Win: Steven Spielberg, Lincoln
Might Win: Ang Lee, Life of Pi or David O. Russell, Silver Linings Playbook
Should Win: Michael Haneke, Amour or Benh Zeitlin for Beasts of the Southern Wild

BEST ACTOR
This one is locked up but can we take a moment to appreciate how spectacular the whole field is: Bradley Cooper really anchors Silver Linings Playbook and makes you feel for a character that is, as written, not all that sympathetic; Hugh Jackman is the nicest guy in Hollywood and, like Hathaway, just rips your heart out in his first big solo  ("Soliloquy"); Denzel Washington reminds us why he became such a mammoth star in Flight; Joaquin Phoenix is visceral and confusing and mesmerizing as a veteran with a bad case of undiagnosed PTS syndrome and alcoholism in The Master; And then there's Daniel Day Lewis who well… you know.

Will Win: Daniel Day-Lewis
Might Win: n/a
Should Win: THEY'RE ALL SO GOOD.

BEST ACTRESS
A lot of pundits have jumped on the Amour train here, Oscar night being Emmanuelle Riva's 86th Birthday which would make her the oldest acting winner of all time, but I'm not buying it. It's a brave indelible performance but I just don't think it's in Oscar's character to reward a foreign language performance by an actress that isn't an international sex symbol (check out your history: that's the only way they go there). And, besides, the heavily male skewing membership of the Academy tends to use this category not to reward long careers but to crown their "it" girl of the moment. Which means it's basically Jessica Chastain in Zero Dark Thirty vs. Jennifer Lawrence in Silver Linings Playbook (with a side of Global Hunger Games Fame)

Actress-battle

Will Win: Jennifer Lawrence, Silver Linings Playbook
Might & Should Win: Emmanuelle Riva, Amour

BEST PICTURE
This was once a suspenseful category until Oscar snubbed Ben Affleck in Best Director and then suddenly the media and the industry had an inexplicable pity party for one of the most handsome, most successful, and already Oscar'ed men in the business (Affleck won Best Screenplay in 1997 for Good Will Hunting) and Argo just roared to awards life. Plus a vote for Argo is a vote for Hollywood since the movie hinges on the film industry being heroic and helping with a hostage rescue.

Will Win: Argo
Might Win: Lincoln
Should Win: Beasts of the Southern Wild or Amour

WHICH FILMS AND PERFORMANCES ARE YOU ROOTING FOR?
And how festive is your Oscar party going to be this year?

 

Nathaniel Rogers would live in the movie theater but for the poor internet reception. He blogs daily at the Film Experience. Follow him on Twitter @nathanielr.

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Comments

  1. You hold the Oscar's sacred *what*? Call the stray apostrophe police.

    Posted by: Anastasia Beaverhausen | Feb 22, 2013 6:22:15 PM


  2. Keep drinking that kool-aid. Haven't watched the Oscars ceremony once this century.

    Posted by: benjamin | Feb 22, 2013 6:53:42 PM


  3. Did we all fall in love with that gay punk in "My Beautiful Laundrette " ? He certainly comforted me with his bravery and confidence.

    I was knocked over when I then saw Daniel Day Lewis in "A Room With a View"......what happened my boyfriend punk ?

    But i guess that was a different time and a different era......Margaret Thatcher had not yet turned civilization on its head,and turned gentleness into a vice and the "great sullenness" had not yet come over the land. ( Rest in peace Gore Vidal).

    I'm sure I should say something about the Oscars but I'm feeling nostalgic.
    Forgive me.

    Posted by: JackFknTwist | Feb 22, 2013 7:26:45 PM


  4. Nathaniel-if you watch 'Gandhi' you'll spot an even younger Daniel Day Lewis. He's one of the men that confront Ben Kingsley on the street in South Africa.

    Posted by: FAEN | Feb 22, 2013 7:46:05 PM


  5. I can't still quite forgive that tacky Piaf impersonator stealing from the astounding Julie "Away From Her" Christie a couple of years ago...So Riva's win would be the second best thing for me !

    And thanks for not betting on that vile redhead!

    Posted by: iban4yesu | Feb 22, 2013 8:08:57 PM


  6. Give it to Argo. It isn't every year that there's a movie that's one of the best and that does incredibly well at the box office, largely through positive word of mouth. Plus, Ben Affleck really did get screwed, and while it's hard to think of Best Picture as a consolation prize... but that's where we are now, because of the Oscar's ineptitude during the nomination process. (Seriously, they need to fix the nomination process if someone like Affleck was going to get snubbed in a year where he won almost every other major Directing award.)

    Posted by: Ryan | Feb 22, 2013 10:31:30 PM


  7. Thanks Nate! I share your obsession. Having a party with 9 dishes, one for each nominee.

    I agree with a lot of your predictions except the Lincoln ones, unfortunately. I think Ang Lee wins director, DeNiro or Waltz wins Supp Actor. I also have a feeling about Riva but won't pick it yet.

    Have fun Sunday!

    Posted by: Jorge | Feb 22, 2013 11:50:26 PM


  8. I agree with most of your sentiments except I am one the few that thought Silver Linings Playbook was horrific and Cooper and Lawrence were just "OK" in it. De Niro was good - as always - but I walked out half way through the film. (The Director and his staff couldn't figure out the correct pronunciations of various psychotropic drugs in a movie about mental illness? WTF??)

    Posted by: vita-t | Feb 22, 2013 11:59:42 PM


  9. I enjoyed "Wreck-It Ralph" and liked "Brave" even more, however, I think "ParaNorman" is far more deserving of Oscar. The character of Mitch aside, I felt it had a far superior story than the other nominees and it was beautifully animated (I admit I'm a tad partial to stop-motion animation).

    In the best animated short category, I would love it if "The Longest Daycare" won. My fear is that because it stars Maggie Simpson, it won't be viewed as a serious Oscar contender, but after viewing all of the nominees, I still think it's the best one. If you took away all references to "The Simpsons" and cast a random child in Maggie's role, I still think it would be the superior short because there's more substance to the story, especially in the swipes taken at the American education system. I personally am not a fan of Disney's "Paperman," though it is almost certain to win. It's cute, but do I think it deserves Oscar? No, I don't.

    Posted by: Keith | Feb 23, 2013 1:01:51 AM


  10. thought Argo was ok but not great, the same with Silver Linings Playbook not best picture material. Preferred Lincoln with lots of great performances and Life of Pi but actually none of the films impressed me as really great.I haven't seen Beasts of Southern Wild or Amour yet and heard good things about both Maybe one of them will take it

    Posted by: wade | Feb 23, 2013 2:53:15 AM


  11. Are the Canadians pissed off about Argo? Actually, I don't blame them. But the book was written by Tony Mendez and centers on him.

    Posted by: ratbastard | Feb 23, 2013 8:18:49 AM


  12. Argo was fantastic. In every sense... The movie had life. I've seen every film in this years Best Picture lineup and Silver linnings as well as Lincoln were are incredibly over hyped. Frankly, I think some of you are trying to be different and edgy by knocking Argo down. It was brilliant.

    Posted by: Kevin Coranzo | Feb 23, 2013 8:37:44 AM


  13. I must be the only one here who didn't enjoy Southern Beasts. It dragged in many parts, and my friends thought so too. No comment on that little girl getting a nomination either.

    Riga does deserve it, and Hathaway was soulful as well in her performance.

    Posted by: Mikey | Feb 23, 2013 8:44:59 AM


  14. Silver Linings was ridiculous. Jennifer Lawrence is the worst thing to happen to Hollywood, and her acting can best be described as her playing her worst self. Really, they are running out of quality and talent in that town when she and that movie are getting any awards.

    Posted by: Klien | Feb 23, 2013 8:47:51 AM


  15. I agree with the dislike of Jennifer Lawrence. I find most every Jennifer in Hollywood overrated. Jennifer Hudson, Jennifer Lawrence and that repulsive thing called Jennifer Lopez. There's far more dynamic performances than what Jennifer Lawrence mustered up in Silver.

    Posted by: Que78 | Feb 23, 2013 10:22:56 AM


  16. I'd love to the following nominees win, though I know none of them will: Joaquin Phoenix; Helen Hunt; and "No" for Best Foreign Language Film.

    I'd also like to see the following losses not because the nominations were undeserved but, rather, because their wins are all too predictable: "Argo" [a factually incorrect standard action-adventure family movie with a re-assuring message about American heroism]; Daniel Day-Lewis [too many acting awards go to the re-creation of historical figures and not original characters]; Jennifer Lawrence [too many actress awards go to the pretty young things of the moment]; Anne Hathaway [too many awards go to whomever transforms themselves the most physically]; and "Searching for Sugar Man" [too many awards go to feel-good movies].

    But, as usual, what disappoints me the most is some of the great work that didn't even get nominated: "The Sessions" for Best Picture [a wonderfully sex-positive film]; John Hawkes for Best Actor in "The Sessions"; Nina Hoss for Best Actress in "Barbara"; Marion Cotillard and Matthias Shoenaerts for Best Actor/Actress in "Rust and Bone"; "Rust and Bone," which should have been nominated for both Best Picture and Best Foreign Language Picture; Dwight Henry (the father) for Best Supporting Actor in "Beasts of the Southern Wild"; "The Central Park Five" and "The Queen of Versailles" for Best Documentary [though all the nominated documentaries are excellent]; "Footnote" (Israel), "Barbara" (Germany) and "Neighboring Sounds" (Brazil) for Best Foreign Language Film.

    Posted by: MichaelJ | Feb 23, 2013 10:55:27 AM


  17. Beasts of Southern Wild is way overrated.
    Lincoln is the picture that will be watched
    in twenty years.

    Posted by: Mark | Feb 23, 2013 11:04:53 AM


  18. Whatever happens, I do hope that for best actor it is anybody but Daniel Day Lewis.

    He won prior for There Will Be Blood but to this day, I can't figure out why! Lewis' performance was a warmed-over, pale imitation of the late John Huston's characterization of Noah Cross, the sinister, incestuous father in the excellent Chinatown of 1974.

    I mean, Lewis' Oscar win was all fine and well but then he did that thoroughly silly kneel before Hellen Mirren (embarrassing her and himself in the process) and, well, it was cringe-worthy to say the least.

    Lincoln was OK but more for Sally Fields and Tommy Lee Jones than for either Lewis' obvious "I'm going for an Oscar here" acting or Spielberg's direction.

    I did see No and it is a fine film from Chile and although it has been criticized for its alleged distortion of the real-life events that led to Chile's rejection of Augusto Pinochet, Gabriel Garcia Bernal is simply astounding (as always).

    Well, it doesn't matter. I have to work Sunday night and my workplace blocks the internet for peons like me. So there.

    Guess I'll have to wait until I get home Monday morning.

    Nice analysis, though. Obviously you know your stuff.

    Posted by: jamal49 | Feb 23, 2013 2:42:13 PM


  19. "I always pray that the Oscars won't become like the Emmys and reward the same things over and over again..."

    But if it's the best, shouldn't it win? If you are against that, then what do you want from these awards? An Oprah show where, "You get an Oscar, You get an Oscar and You get an Oscar." Let the best win no matter how many times they've won. The Oscars are a mess. People don't watch the tapes like the Emmy voters do. People vote based upon what all the other awards have told them to vote for. The deserving winners rarely win because they are constantly trying to make up for the mistakes of their past.

    Posted by: Lance | Feb 23, 2013 4:47:27 PM


  20. Daniel Day Lewis for the win: but Lincoln was really not that dynamic of a movie. Star power? sure. Dynamic memorable film? Hardly. Same for Silver Linings. That movie was more suited for a hipster version of Lifetime television.

    Posted by: T.J | Feb 23, 2013 7:08:49 PM


  21. Beasts of Southern Wild, acting was good, film? No not so much. And Jennifer Lawrence winning best actress for silver lining's playbook would be a travesty. Seriously. 15 year ago, that performance would get her an MTV movie award at best.

    Posted by: Film Fanatic | Feb 23, 2013 7:10:37 PM


  22. I'm with you, Mikey. I didn't like Beasts at all. I could not stop thinking about how non-credible the plot was, and how we were being manipulated to FEEL something for the precocious, cute kid. Ick.

    Posted by: dws | Feb 23, 2013 9:59:24 PM


  23. I know that it's not going to win, but it's 'Beasts of the Southern Wild' for me.

    Posted by: EricD. | Feb 24, 2013 1:54:10 PM


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