Naveen Kumar | New York | Theatre

Towleroad's Top Ten Best Plays and Musicals of 2013

Best of top


Tis the season for year-end lists, and 2013 saw a broad range of exciting theatre on New York stages. From energetic, transporting new musicals to no-frills revivals (OK, maybe the Shakespeare has some frills), there was hope for musical innovation, original direction that managed to make classic plays feel revelatory, and a thrilling batch of new plays from both young and well-established voices.

Read on for a countdown my top ten favorites.

GentlemansGuide_JeffersonMays (1)10. A Gentleman’s Guide to Love and MurderThis highly entertaining new musical with book by Robert L. Freedman, music by Steven Lutvak, and lyrics by both combines the campiness of Monty Python with a delightfully twisted plot worthy of Shakespeare. A tireless Jefferson Mays plays all of eight heirs killed by a distant relation on his bloody path to claiming the family fortune. When a cast is having this much fun on stage, it’s nearly impossible not to join in. (Currently on Broadway)

9. The Other Place: A carefully crafted story full of unnerving revelations, Shar White’s psychological drama featured a magnetic performance by Laurie Metcalf as a neuroscientist slowly losing grip of her own mind. Manhattan Theatre Club’s sleek Broadway production followed the play’s acclaimed premiere at MCC, both nimbly directed by Joe Mantello.

8. Buyer & CellarWriter Jonathan Tolin’s one-man play stars Michael Urie as a struggling actor hired to work in Barbara Streisand’s basement, where her many wares are assembled into a little village for her browsing pleasure. Babs and her eccentricities are only one part of this hilarious, well-crafted comedy, which has found a downtown audience for its commercial run appropriately situated in the village. (Off Broadway at Barrow Street Theatre)

Assembled37. The Assembled Parties: Richard Greenberg’s finely spun drama about a wealthy Jewish family (and their envy inducing Manhattan apartment) spanned twenty years—touching on mortality, ambition, legacy, and secrets kept for love, all with the playwright’s expert hand at language and wit. Jessica Hecht was a quiet marvel, and the play gave Judith Light her second consecutive Tony Award for Best Featured Actress.

Countdown continues AFTER THE JUMP...

6. Here Lies Love: Downtown’s answer to Evita, this immersive rock musical about Filipina First Lady Imelda Marcos featured an ingeniously catchy score by music legends David Byrne and Fat Boy Slim. Following a critically acclaimed run at the Public Theater and a one-night benefit performance at Terminal 5 for Typhon victims, producers are reportedly searching for a more long-term venue.

After_Midnight35. After Midnight: A radiant tribute to Harlem’s golden age, this musical revue features the show-stopping talent of jazz musicians handpicked by Wynton Marsalis combined with a virtuoso company of singers and dancers. With direction and choreography by Warren Carlyle, the talented company makes it look easy, charging jubilantly (and tirelessly) through jazz standards by Duke Ellington and others. (Currently on Broadway)

4. The Laramie Project CycleMarking the fifteen-year anniversary of Matthew Shepard’s death, the Tectonic Theatre Project presented searing productions of The Laramie Project and its follow up The Laramie Project: 10 Years Later at Brooklyn Academy of Music. Under the direction of Tectonic’s resident director Moisés Kaufman and featuring many of the plays’ original collaborators, the exquisitely performed and gut-wrenching revivals proved the project’s lasting power.

Shax 63. Twelfth Night: Mark Rylance making his debut as a leading lady may be the marquee draw for this all-male production from Shakespeare’s Globe (in repertory with Richard III), but it’s hardly the only highlight. An exceptionally talented company including Samuel Barnett as Viola, Paul Chahidi as Maria, and Stephen Fry as Malvolio make this authentic practice production a clear standout in a season crowded with Shakespeare. (On Broadway through Feb 16)

2. Belleville: In her superb drama about a young American couple living in Paris, playwright Amy Herzog follows the unraveling of an intimate codependence with uncanny precision—and insight that hits like a sucker punch. Directed by Anne Kaufman at New York Theatre Workshop with excellent performances from Maria Dizzia (Orange Is the New Black) and Greg Keller, Herzog’s relationship play felt more like a quiet thriller.

GM 41. The Glass Menagerie: Featuring benchmark performances from Cherry Jones, Zachary Quinto, and Celia Keenan-Bolger, director John Tiffany’s haunting revival cuts straight to the bone, clearing away any sentimental cobwebs usually associated with Tennessee Williams’ classic. From a dreamscape set floating in the dark, to players whose every movement is like a thought remembered, its style is pitch perfect. (On Broadway through Feb 23)

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Follow Naveen Kumar on Twitter: @Mr_NaveenKumar (photos:michael j lutch, joan marcus, sanrda coudert, matthew murphy)

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  1. So "A Gentleman’s Guide to Love and Murder" sounds like another version of "Kind Hearts and Coronets".

    Posted by: Joel | Dec 20, 2013 12:54:25 PM

  2. What happened to the musical - Fun Home?

    Posted by: Michael Myers | Dec 20, 2013 1:22:10 PM

  3. No Fun Home???? Hmmm...

    Posted by: Scott B | Dec 20, 2013 1:34:15 PM

  4. I agree, why no Fun Home? This is one of the most award-winning projects in years. The graphic novel won basically every award in sight the year it came out. The musical opened to great reviews and it is still playing...

    So what gives Towleroad?

    Are you just so Gay Male-centric that a play about a lesbian's reply to her Gay Male father's death isn't Gay enough for you? Wow.

    Posted by: YSOSERIOUS | Dec 20, 2013 2:10:26 PM

  5. This list is set up as the best of 2013 on new york stages, not the best of 2013 on Broadway stages. So why is "The Other Place" on the list for 2013 when it premiered in New York in 2011? Not logical.

    Posted by: keating | Dec 20, 2013 2:19:57 PM

  6. I agree with what you say about the magnificent Glass Menagerie revival, but it's unfair to not include Brian J Smith's Gentleman Caller among the "benchmark performances" in the production. He's not only the best Jim I've ever seen, it was if I'd never heard his dialogue before and as if I was seeing his scene with Laura for the first time.

    Loved this Menagerie, but Mark Rylance & Twelfth Night the most thrilling piece of theater this year.

    Posted by: Robert | Dec 20, 2013 3:19:23 PM

  7. @joel, yes it is kind hearts and coronets. We saw it in san diego and the program even recognized the predecessor film. However it was a delight, pure fluff and definitely the lead needs to be recognized for his multiple roles. He was, if my memory serves, the lead in I am my own Wife.

    Posted by: steve | Dec 20, 2013 3:22:09 PM

  8. Sorry to be a teeny tiny nit picker but it is BARBRA not Barbara Streisand. Guess she is just hasn't reached that particular level of fame yet, especially among the gay community, where her name is spelled correctly when written about. Maybe in the next 50 years of her career....

    Posted by: Max | Dec 20, 2013 3:37:08 PM

  9. It's BARBRA Naveen. You lost 1000 points on Gay Jeopardy

    Posted by: David Ehrenstein | Dec 20, 2013 4:06:58 PM

  10. @joel @steve Gentleman's Guy and Kind Hearts are both based on a 1907 novel by Roy Horniman called "Israel Rank." There are a handful of major plot differences between the Alec Guinness movie and the stage musical -- important to note since the studio behind the Kind Hearts sued the show's producers (and lost).

    Posted by: Guy | Dec 20, 2013 4:15:54 PM

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