Matthew Broderick, Nathan Lane and Stockard Channing Open in ‘It’s Only a Play’ on Broadway: REVIEW



Anyone who thinks theatre people are a bunch of eccentric, egotistical, navel-gazing kooks will find little to prove them wrong in the starry Broadway premiere of Terrence McNally’s 1982 comedy It’s Only a Play, which opened last week at the Schoenfeld Theatre. Directed by Jack O’Brien, the backstage farce meets drawing-room play takes up with a team of show folk anxiously awaiting reviews on opening night.

It's only play 3If you’re determined enough to snag tickets to the nearly-sold-out run, you’ll find its crowded marquee of big names, including Matthew Broderick, Nathan Lane, Stockard Channing, Megan Mullally and F. Murray Abraham, preening around the opulent interior of an upper east side townhouse, wringing their hands over the trials of mounting a play and goosing the audience with an exhaustive litany of de rigueur insider jokes and name drops.

The bedroom of this lux abode (lavishly designed by Scott Pask) belongs to theatre producer Julia Budder (Ms. Mullally), and tonight it’s doubling as a coat room for the opening party of her first big Broadway venture. Peter (Mr. Broderick) wrote the play’s lead role for his friend James (Mr. Lane), who turned it down to continue his stint on a mediocre sitcom and has flown in to make sure he didn’t pass on a hit.

It's only play 2The play’s leading lady Virginia (Ms. Channing) is a pill-popping star out on parole (complete with security anklet) and its British director Frank (Rupert Grint) is prickly, bizarre and apparently brilliant. A predatory critic is also on hand to generally antagonize all (Mr. Abraham), and the coat check boy (an aspiring actor, of course, played by Micah Stock) is charged with the running gag of schlepping outerwear for increasingly outlandish guests (Shia LaBeouf! The cast of The Lion King! Lady Gaga!).

Lane and Channing are both a delight, incidentally as caricatures of their own profession. Mr. Lane’s animated ease and precise comic timing make light work of his many rapid-fire one-liners. Ms. Channing is spot on as the industry-weary grand dame, all sharp-tongue and taut-face.

With a mild southern drawl and coiffed wig, Ms. Mullally doesn’t cut quite as extreme a figure as some of Broadway’s more eccentric producers. And while charming, Mr. Broderick seems a bit dazed—even as a playwright facing reviews on opening night. He’s also saddled with thanklessly delivering McNally’s sentimental odes to the art form, the sincerity of which seem stodgy and out of place.

It's only play 4In updating the original script for this production, McNally has packed it to the gills with jabs and winks aimed at celebrities big and small—with audiences invited to listen in on the fun (show people sh*t talking behind the scenes!). But like most opening night parties this one is relatively uneventful, aside from people waiting around for reviews to come in and reacting when they do. The rest of the play is taken up with the artists’ neuroses (at their most stereotypical) and these often backhanded zingers.

Much of McNally’s humor is low-hanging fruit (spoiler alert: the cast takes a group selfie), and much of the story (such as it is) gets buried in it. Though often funny, the players in McNally’s satire are gleefully narcissistic—and no more sympathetic than the critics they delight in vilifying. The play (like the play within the play) is obsessed with its own critical reception, though it's hardly clear why when the names above its title are enough to ensure box office gold.

Recent theatre reviews…
‘The Curious Incident of the Dog in the Night-Time’ Opens on Broadway: REVIEW
Political Sex Scandal Comedy ‘Tail! Spin!’ Opens Off Broadway: REVIEW
James Earl Jones and Rose Byrne Open in ‘You Can’t Take It With You’ on Broadway: REVIEW
Mia Farrow and Brian Dennehy Open ‘Love Letters’ on Broadway: REVIEW
‘Bootycandy,’ Brassy Comedy About Black, Gay Experience, Opens: REVIEW

Follow Naveen Kumar on Twitter: @Mr_NaveenKumar (photos: joan marcus)


  1. Derrick from Philly says

    @ LYMIS,

    I agree. Sometimes we can’t get to New York to see these Broadway plays (often we can’t).

    I loved Stockard Channing the first time I ever saw her. It was in a TV movie called “THe Girl Most Likely”(I think). She was fantastic then and she still is now.

    So, yes, I’d love to see Stockard Channing on stage…or atleast on DVD.

  2. Ken says

    My two cents: This is one hilarious play! I enjoyed every minute of it. Broderick does seem to be dazed throughout, but I haven’t enjoyed him much in recent years.
    On The Town was more fun to watch though.

  3. Michael says

    I saw the play on Broadway – I’d say Matthew was more than just “dazed” – he was bland, and stumbling over several of his lines. Rupert Grint was pretty manic as the over-the-top British director who could do no wrong – he has a hilarious scene where he interacts with himself and a sock puppet. Nathan Lane is the outstanding person in the play and it was the first time I’ve ever seen F. Murray Abraham in a comedic role. Stockard Channing was hilarious and as much as I love Megan Mullally, she was basically playing Karen again from Will and Grace. Micah Stock makes an impressive debut, with a hilarious take on “Defying Gravity”. The play is very funny in spots, but I sat by a couple who had only seen two plays – this one and Les Miserables. They told me they didn’t get half the jokes – because, of course, you have to really know theater to get many of the jokes (Harvey Fierstein, anybody?) I think this play would not be nearly as successful if they hadn’t cast Lane, Broderick and company. However, any critical review of this play isn’t going to matter precisely because of the star wattage.

Leave A Reply