The editors of Modern Tonic — a free daily email that serves up eclectic pop-culture picks with a homo slant — present a weekly music update here on Towleroad. TODAYS FEATURED RELEASES:
It’s never easy to leave what you love behind — whether it’s a partner or a popular country group. But that’s what Martie Maguire and Emily Robison — two thirds of the Dixie Chicks — have gone and done. While lead singer Natalie Maines raises her children, Maguire and Robison have flown the coop for a side-project as steeped in folk-rock and upbeat pop as their fiddle-scratching roots. Their self-titled debut, Court Yard Hounds, works the confessional tropes of songwriters like Joni Mitchell and Shawn Colvin to explore an unpleasant subject: Robison’s divorce. Gentle, finger-picked acoustic opener "Skyline" sets the stage with the plaintive question ‘What am I doing here in such a lonely place?’ But Court Yard Hounds, like the group that spawned them, don’t wallow in darkness. Maguire and Robison set sad tales to some of the most rollicking country-pop since Dixie Chicks’ Grammy-winning Taking the Long Way.
It’s been 10 years since Toni Braxton’s had a big commercial smash, and Pulse may put an end to the drought. She’s already had a minor hit on the R&B charts with the mid-tempo, piano-heavy "Yesterday." She’s been inspired by Alicia Keys on not only that song but also “Hands Tied” and "Wardrobe" and that’s quite all right. It isn’t often an established artist admits to being influenced by a younger one, with whom — according to Digital Spy — she hopes to duet in the near future. Elsewhere, Braxton lights up the club-burner "Make My Heart," pulls a Beyoncé with the galloping "Lookin’ At Me" and revs up a quiet storm with her trademark ballads, including the empowering "Woman." "Revive it," she sings on the sultry title track, and though you know it’s about holding on to love, it could just as easily be about this stage of her career.
The blogosphere’s a-twitter with country singer Chely Wright’s coming out in the latest People (news of which leaked early). Wright won a Top New Female Vocalist American Country Music award (1994), scored a Country chart Number One with "Single White Female" and had been romantically linked with Brad Paisley. Now she’s the first U.S. country star to burst through the closet door since kd lang in 1992. What’s on the other side of the closet for Wright? Only time will tell, but her memoir’s out today, Like Me: Confessions of a Heartland Country Singer, along with a new album, Lifted Off the Ground. If you want juicy details about her life, spring for the book. Music lovers will get a more restrained, emotionally nuanced report from the resonant Lifted Off the Ground. "I’m waging war up in my head," she confesses on the soft-rock opener "Broken." The object of "Damn Liar" — a blistering Appalachian foot-stomper — could well be herself after years of hiding. And the finger-picked waltz "Like Me" underscores the tough decision at its center. "Who’s going to end up holding your hand," Wright asks, "a beautiful woman or a tall handsome man?" Thanks to our high-speed press, we all know the gender of her waltzing partner. We look forward to the day when all that matters is her rich, incisive music.
Apple recently bought, then shut down, popular music site Lala.com. Speculation suggests Apple will leverage the site's technology to create an iTunes cloud-based music service. But the music business may not be so happy about this.
The out singer/first-season Pop Idol winner/hottie Will Young releases Leave Right Now, a digital-only EP of eight past U.K. hit singles. The collection is led by the title track, this season’s American Idol exit song.
Broken Social Scene — the rotating Canadian collective that includes Feist, Emily Haines of Metric and others — releases their fourth and best batch of alt-rocking odes, Forgiveness Rock Record.
Husky-voiced San Diegan Greg Laswell — no stranger to soundtracks from Grey’s Anatomy to My Sister’s Keeper — releases Take A Bow, his fourth disc of brutally honest introspection.
Moby releases an EP of mixes of his single "Wait For Me" (the title track of his 2009 ambient album) in support of his forthcoming collection Wait For Me. Remixes! (out May 18), which features livelier versions of last year's album tracks.
Power chords and a cowbell open Stuck On Nothing, the debut from Philadelphia rockers Free Energy, finally out on CD today. That song — ”Free Energy” — and the rest of the album, is a throwback to ‘70s AM radio gold.
Hurts — "Better Than Love" The first single from the Manchester duo’s forthcoming debut is a chilly Ultravox rip with a video straight from the head of Duran Duran. In other words: artsy, impenetrable and très stylish.
The Good Natured — "Your Body Is a Machine" With hair even more awe-inspiring than La Roux’s, U.K.’s The Good Natured (aka Sarah McIntosh) gets all Goth and glittery on this minor-key New Wave rave-up.
Operator Please — "Back and Forth" On this happy little tune, the Aussie popsters make like The Smiths fronted by Betty Boop. Vocalist Amandah Wilkinson leads her quintet on a nautical-themed stage, while girls in blue bathing suits perform synchronized-swimming moves out of water.
Sub Focus — "Splash" (feat. Coco) The spawn of Sting — Coco Sumner — guests on this twitchy tune from drums’n’bass producer Sub Focus (aka Nick Douwma). The clip’s basically a performance in front of a Union Jack, but Coco’s got Daddy’s chops circa Ghost in the Machine.
Two of the three members of the Dixie Chicks, sisters Martie Maguire and Emily Robison, have put together a side project called Court Yard Hounds and their upcoming album includes a dramatic song about a gay son who comes out to his intolerant father.
"This song's bluegrassy intro is from the point of view of a disenfranchised young man. The rest of the song, as it shifts into rocker mode, describes the narrow viewpoint of his angry father. The lyrics aren't specific about the exact points of family contention, but Robison had a story in mind.
'I turned the TV on, and it was A&E or one of those documentary kind of shows about these poor teenage kids who are devastated that their parents won't let 'em stay in the house because they found out they were gay," she explains. The lines, 'You ain't no son to me/Eight pound baby boy I bounced on my knee' were around from the very beginning. That idea, how can you have kids and love them so much and one day decide not to -- it just boggled my mind.'"
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