Movies (and TV): Gay Auteur Update and ‘Neil Patrick Harris Week’

Picture 12 road  Bruce LaBruce (Hustler White, The Raspberry Reich) of course. Apparently his last picture, the zombie  flick Otto: Or Up With Dead People only whetted his (gory) appetite for boy-crazy zombies. His next picture will be a hardcore zombie porn. NSFW pictures from LaBruce's mixed media installation piece "Motel Hell" here. This piece seems to be a living commercial for the upcoming movie. LaBruce has been enthusiastically tweeting about it and posting pics of himself in bed with Sagat.

 road John Cameron Mitchell (Hedwig, Shortbus) begins filming Rabbit Hole in New York next week. It's an  adaptation of the Broadway hit about a grieving family. Nicole Kidman takes over the role that won Cynthia Nixon a TONY on Broadway.

 road François Ozon (8 Women, Swimming Pool)
will have a new film on US screens next year. His films usually have
queer elements but in his latest it's only (possibly) in the
metaphorical sense. Ricky is a fantasy film in which a family struggles to deal with their very unusual child. He's got wings, you see.  Here's the trailer.

 road Gus Van Sant might take a while to deliver a follow up to Milk (Sean Penn, on the other hand, is busier than ever). Van Sant has two pictures in development including an adaptation of the 60s psychedelic drug novel The Electric Kool-Aid Test with a screenplay by his Oscar-winning Milk partner Dustin Lance Black. In the meantime he's made a new short which will be screened at the Worldwide Short Film Festival next month.

John Waters

 road John Waters
has no new films on the radar (Fruitcake was having financing problems) but he's been touring with his one-man
show "This Filthy World" and he's always in demand for public appearances. Earlier this month at the Maryland Film
Festival (pictured right) he introduced a screening of the sexually adventurous french musical Love
quipping that it was "a great gay recruiting film" Have you seen that film yet? I wasn't won over at first but it sure is sticky.

 road Christine Vachon is not an auteur. But I'm pretending she is for a turn around / wrap up to this post. As a producer she shepherded so many gay films to the screens over the years (Boys Don't Cry, Hedwig, Go Fish, Velvet Goldmine, I Shot Andy Warhol, Stonewall) that she became a true titan of GLBT cinema. But what is "Queer Cinema" in 2009? She rejected the labels in an interview this week

Christine: Well, what is “New Queer Cinema”? There is no New Queer Cinema, there’s only old queer cinema.

Interviewer: You wouldn’t say that Todd Haynes and Gus Van Sant are at the cutting edge of New Queer Cinema?

Christine: God no! What makes them at the cutting edge of queer cinema?

…honestly, I think that the whole notion of queer cinema was back in the day, when the means of distribution was so much more limited and the only way that gay people could see themselves on screen was to take action themselves.

What is queer cinema to you? Do we need it anymore or are the plentiful supporting gay characters (and very occasional leads) in mainstream film and television more than enough?

Take Three: Epilogue


 road Just a reminder that Joss Whedon's web phenom Dr. Horrible's Sing-Along Blog arrives on DVD (again) next Tuesday. I've seen the new DVD and its extras (including the very meta "Commentary! The Musical") and I highly recommend. The ridiculously charming and talented Neil Patrick Harris plays the title character, a lovelorn singing supervillain. Watch him practice his evil laugh on Tuesday and then watch him host the TONY Awards on Sunday. It's a double dose of Neil Patrick Harris. The first week of June is Neil Patrick Harris week. Pass it on!