When a movie opens with a scene of a little boy failing his tough brothers by being too sensitive to shoot a farm animal in the head…
When a movie's toughest guy describes a future killing blow to his worst enemy…
When a movie has a scene in which a big brother balks at his younger brother's pleas for rescue and suggests he needs to fight his own battles…
Well, it's hard not to see where that movie's plot lines will converge.
Unless, of course, you're taking all of the movie's (many) violent threats equally seriously in which case you'll be giving soft Jack some competition in the sobbing and quivering department. This is one brutal movie. Most Hollywood pictures worship tough guys and "Man up!" character arc narratives are common enough (Jack is going to have to quit with the sensitivity and make peace with the gun) but few of them go this far.
[SPOILER] Let's just say that in the summer of Magic Mike I didn't expect that the only balls we'd see onscreen would be severed and bloody and ready for their own closeup. In moments like this and elsewhere Lawless plays like a grotesque parody of tough guy posturing and masculine angst. It's balls are actually out while Labeouf tries to find his. Meanwhile Tom Hardy Brando-mumbles his way through scenes with his polar opposite Guy Pearce all preening and precise. Numerous characters, not just Forrest the Immortal, survive killing blows to demonstrate their manliness. Even the quickly dispatched henchman (like brilliant character actor Noah Taylor) are ressurected without a fuss. [/SPOILERS]
Lawless is far too generic a title for the movie's specificity for better and worse. The acting is always…uh… enthusiastic (Why is Mia Wasikowska cocking her head and flirting with such modernity when playing a preacher's daughter in the 30s who uses words like "courtin'"? Why is Guy Pearce adding another tic, however vivid, to the twenty-five he's already assembled for his character?). The movie's fetishistic relationship to feet is also of interest. There's a dramatically blunt shot of an expensive shoe blocking a door, another shoe as an amusing totem of humiliation, and a good sort of funny scene where the washing of feet in a church churns up several emotions… as well as the contents of Jack's stomachs. The best scene even hits as forcefully as tommy guns. A dreamy romantic walk through weeping willows late in the movie suddenly upends its own mood (twice!) with dramatic POV switches; same scene, entirely different feelings, all of them perfectly pitched.
But as the movie veers drunkenly from mediocre to great, and as it awkwardly stumbles between the fun of its over the top acting and the serious beats of its familiar crime drama plot, you get the sense that it was a nightmare in the editing room. Missing scenes are, for instance, the likely culprit when it comes to ex-dancer Maggie Beauford (Jessica Chastain). She's introduced forcefully but the potency of her walk on feels curiously unearned given her always sketchy appearances thereafter. She's merely decorative but the movie insists she's functional.
Lawless was originally titled The Wettest County which is far more specific than Lawless though admittedly less flashy and equally ill suited to the movie. "Wettest" refers to the moonshine but Hillcoat is a very serious director and his preferred poison in every scene is blood. It's too bad, really. The actors are eager to get shitfaced but the movie is a teetotaler.
Nathaniel Rogers would live in the movie theater but for the poor internet reception. He blogs daily at the Film Experience. Follow him on Twitter @nathanielr.
