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Go On A Gender Non-Conforming Journey Of Acceptance With Hollysiz's 'The Light' Video: WATCH

Hollysiz

The new music video from Hollysiz, for the wonderful song "The Light," relays a sad-then-beautiful story of one father's journey toward embracing his gender non-conforming child. In just under four minutes an entire dramatic arc is etched; what could have felt formulaic and passé turns out to be affecting and realistic. And the uplifting ending will have you cheering! 

"The Light" is off Hollysiz's new album, My Name Is, to be released in early October.

Check it out, AFTER THE JUMP...

Continue reading "Go On A Gender Non-Conforming Journey Of Acceptance With Hollysiz's 'The Light' Video: WATCH" »


French Court Simplifies Assisted Reproduction for Lesbian Moms

6a00d8341c730253ef019b00262017970b-800wiThe AP reports: France's highest court has ruled that same-sex parents can adopt children born in other countries by assisted reproduction.

France has a law that limits assisted reproduction to heterosexual couples who have been together for two years. This has driven many gay couples to go abroad for assisted reproduction. 

Until now, in such cases only a child's birth mother would be legally acknowledged as a legal parent, but now the other partner will be able to adopt.

Last year, France legalized gay adoption and gay marriage, but kinks such as this one are still being ironed out for same-sex French parents.


EU Advocate General Urges European Court of Justice to Drop Gay Blood Donation Ban

Sein-schlussantrag-ist-meist-ein-praejudiz-generalanwalt-paolo-mengozziFrance is reconsidering its lifetime ban on gay men donating blood following a legal assertion that the policy amounted to widespread discrimination. The current law states that “persons whose sexual behaviour puts them at high risk of acquiring severe infectious diseases that can be transmitted by blood.”

Paolo Mengozzi, Advocate General of the European Court of Justice, made his case beginning with the fact that the current law does not clearly define “sexual behaviour.” In barring men who have or have had sex with men from participating in blood drives, Mengozzi went on to argue, the practice fostered discrimination based on sexuality and gender.

While Mengozzi expressed that he felt as if the EU’s prohibition was, in fact, meant to protect the public, its stipulations are currently too broadly defined.

The disproportionate focus on the sexual histories of gay men, he said, came at the cost of taking the time to screen populations whose behaviors, sexual and otherwise, posed more significant risks. Mengozzi’s views are in no way a binding decision for the court as a whole, but it’s common for the opinions of advocate generals to reflect a general shifting in consensus.

 


New Senate Bill Would Create Special Diplomatic LGBT Envoy, Promote Equality Abroad

A bill introduced to the Senate on Thursday by Massachusetts senator Ed Markey (D, right) aims to create an LGBT envoy to promote equal rights abroad. The bill is backed by over twenty other democrats, and although it faces a difficult approval process, it is an exciting step toward LGBT-related diplomacy, particularly given the recent upswing in anti-gay violence in countries ranging from France to Uganda. The official title of the bill is "The International Human Rights Defense Act."

EdMarkeyBuzzfeed reports:

“For the United States to hold true to our commitment to defending the human rights of all people around the world, we must stand with the LGBT community in their struggle for recognition and equality everywhere,” Markey said in a statement to BuzzFeed. “By fostering a coordinated effort across the federal government and relevant agencies, we can meet the enormous challenge before us and work to ensure equality for all people around the globe.”

In addition to creating the envoy’s office, the bill would direct the State Department to “devise a global strategy” to prevent discrimination and violence against LGBT people and coordinate with LGBT-rights advocates in other countries and in international organizations.

If the bill were to pass, it would be a firm indication of a shift in American diplomacy, away from the George W. Bush era, when the U.S. blocked prioritization of LGBT rights in the UN. Though President Obama does not have the best track record with the LGBT community, including a continued refusal to sign the Employment Non-Discrimination Act, he could have the chance to create the envoy post without a congressional vote. 

Currently, twelve human rights organizations are endorsing the bill, including the American Jewish World Service and the Council for Global Equality. 

We will keep Towleroad readers posted as the bill is discussed in Senate.


Têtu Magazine Says 'Mister Gay' Beauty Contestant Can Compete Even if He is a Racist

MrGayMayMatthieu Chartraire, the 22-year-old selected by readers of France's Têtu Magazine to be "Mister Gay May," has been caught in an online racism scandal. Chartraire aired his negative thoughts about people of different races on Facebook and then posted a video of a white woman being attacked by a black man; "This is why I would vote for FN," he wrote, referring to an far-right-leaning, anti-gay political party.

Out.com reports:

The magazine issued a statement on its social media platforms to condemn Chartraire's political views, saying "The fight against homophobia can't be separated from the fight against any other form of discrimination."

However, Chartraire will still be able to compete for the title of Mister Gay 2014, in December. "It's in his right to vote for FN, even if we don't share his beliefs," said Têtu editor-in-chief Yannick Barbe in a Facebook reply. "This is a beauty pageant, and our readers' vote was only based on a single criterion! He only stands for himself, and certainly not for the gay community. (Excluding him) would be censorship, and the best way to victimize him."

I believe it is safe to say that his good looks are trumped by a less-than-desirable attitude. Racism doesn't look good on anyone.

Photo via Têtu.


Francine Prose’s ‘Lovers At The Chameleon Club, Paris 1932’: Book Review

BY GARTH GREENWELL

LoversClub hc cIn Brassaï’s famous photograph, Lesbian Couple at Le Monocle, 1932, two women sit together at a shabby café table in Paris. One wears a dress, its thin strap twisted on her bare shoulder; the other, her hair in a short, masculine cut, is in a suit and tie, the collar of her shirt in disarray. They lean into each other and stare, seemingly engrossed, at something outside the frame, the fingers of the suited woman resting on her companion’s elbow.

Francine Prose’s engrossing, virtuosic new novel uses a fictional version of Brassaï’s photograph to create a moving narrative of a group of friends and associates over two decades, as Paris devolves from the 1920s bohemian paradise of expatriate artists to the nightmare of rising fascism and Nazi occupation.

In Prose’s version, the suited woman of the photograph is Lou Villars, a desperately unhappy former athlete who will become, thanks to the people she meets over the course of the novel, a nightclub performer, a racecar driver, a Nazi spy, a torturer. More than anything, she will be a tool, forever shaping herself to what she thinks are others’ wishes, manipulated in ways she never fully sees.

Prose tells her story through a cast of revolving narrators, each of them connected somehow to that photograph: Gabor Tsenyi, the photographer who staged it; Lily de Rossignol, his patroness; Lionel Maine, an American novelist and his best friend; Suzanne Dunois, who will become Gabor’s wife; and Yvonne, who owns the club where they all meet.

That club—the Chameleon Club of the title, named after the lizards Yvonne keeps as pets—serves as a barometer for political tensions in France. When we first see it, it’s a place of remarkable tolerance, where men dress as women and women as men, where names are assumed and cast away, where sex and nationality are often uncertain; it’s a place that calls into question the whole idea of fixed identity. Lily marvels at the performers Yvonne hires: “The beauty and style of those dancers! Watching them, I’d ponder what it meant, really meant, to be a man or a woman. Is it our clothes, our sexual parts, our bodies and brains and souls?”

Lou finds herself among those performers, after fleeing an abusive coach and, more importantly, a world that won’t let her live as she wishes. She’s one of the “strays” that Yvonne takes in, lost men and women “who found their way to the club after hearing that it was a refuge where you would be taken in and not asked any questions.” For a time she seems happy, falling in love with a fellow performer, Arlette, the first of several women who will break her heart.

Soon, however, the songs that Lou and Arlette perform take on a darker cast, bringing the audience to laughter with jokes about impotent immigrants and bumbling Jews. Yvonne and her dancers are harassed by the police. Lou becomes a target of the proto-Fascist police chief Clovis Chanac, Arlette’s new beau, who is humiliated that his girlfriend once took Lou as her lover. The revenge Chanac takes—not least for the already famous, unerasable photograph Gabor took of Lou and the woman Chanac claims for his own—becomes part of the chain of indignities and resentments that will transform Lou from a Joan of Arc-worshipping nationalist to a traitor.

This ambitious novel paints a wide canvas, and doesn’t shy away from the familiar figures and events of the Second World War—there’s even a wonderful scene, at once chilling and ridiculous, with Hitler himself, who infects Lou with his crazed messianic fervor. But the real achievement of the book is that the intimate dramas of its characters’ lives remain our chief concern, the medium through which we understand the horrors of war.

Francine-proseThe book presents those dramas through a shifting set of documents in the characters’ voices—letters, excerpts from memoirs and novels, newspaper articles—that often allow us to see the same event through multiple narrators’ eyes. What might seem like a gimmick is instead consistently exciting, and offers the reader a fuller perspective on the complexity of events than any of the individual characters can have. At the same time, though, because there is no authoritative narrative voice—no third-person stand-in for the author—we’re left finally in a morally compelling state of uncertainty.

That uncertainty is most intense concerning the only character who doesn’t get to speak in her own voice. Lou’s story is told by a second-rate, present-day biographer, whose account is called radically into question by the novel’s end. This is a canny move on Prose’s part, since it allows her to put forth various theories about Lou’s descent into what can only be called evil—her early family life, her disappointments in love, her public humiliations—while also insisting that such a descent finally escapes explanation. 

Denying us direct access to Lou only makes her a more powerful presence in the narrative, while also ensuring that our primary attention and compassion remains with those who, bravely and foolishly, in ways insignificant or profound, stand against the tide of inhumanity by which she is swept up. Prose is among our most distinguished writers, and this may be her finest book. It’s rare to find a novel that is at once so entertaining, so smart, and so serious in its moral scope.

Previous reviews...
Mark Gevisser’s ‘Lost and Found in Johannesburg: A Memoir’
Emma Donoghue’s ‘Frog Music’
Tatamkhulu Afrika’s ‘Bitter Eden’
Rabih Alameddine’s ‘An Unnecessary Woman’

Garth Greenwell is the author of Mitko, which won the 2010 Miami University Press Novella Prize and was a finalist for both the Edmund White Debut Fiction Award and a Lambda Award. His new novel, What Belongs to You, is forthcoming from Faber/FSG in May 2015. He lives in Iowa City, where he is an Arts Fellow at the University of Iowa Writers' Workshop. Connect with him on Facebook and Twitter.


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