A card in the bottom right hand of the star's mirror reads:
"A thing is a thing, not what is said of that thing."
Which immediately complicates or maybe simplifies celebrity and art, two major themes (among a handful) of Mexican director Alejandro González Iñárritu's one of a kind new film experience. It's destined for major Oscar nominations and you should see it immediately. The movie has the simple and then complicated title of BIRDMAN, Or (THE UNEXPECTED VIRTUE OF IGNORANCE) which fits its two-faced nature perfectly. This quote is never addressed in the film but it's always stubbornly lodged there in that mirror, defying or playfully encouraging conversation about what this movie actually is. And what are reviews or after-movie conversation other than attempts to interpret and define?
Critics are often treated with petulant hostility in movies about show business, as if the filmmakers have an axe to grind and need to do that with grindstone in hand while their critical avatar/puppet hangs there limply, waiting to be struck with the sharpened blade. Birdman is no exception, immediately insulting its formidable theater critic Tabitha (Lindsay Duncan) as having a face that 'looks like she just licked a homeless man's ass,' before she's even spoken a line. But Tabitha is a slippery mark, portrayed as a voice of integrity in one scene and then a vicious unprofessional monster in another. This calls into question the reality of her scenes altogether.
Is each scene in the movie meant to be taken at face value or are plenty of them partially or fully projections of the actors, warped by their egos and neurosis. Birdman is filled with these kind of mindf*** questions while also being completely hilarious and emotionally compelling. The story revolves around a has-been movie star named Riggan Thomson who used to be very famous for playing a superhero. In the movies all-around genius casting he is played by has-been movie star Michael Keaton who used to be very famous for playing a superhero.
MORE, AFTER THE JUMP...